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The Beths

The Beths Ignite NYC and LA with New Album Release

New Zealand indie rock sensations, The Beths, are preparing to unveil their highly anticipated new album, Straight Line Was a Lie, on August 29. To mark the occasion, the band has announced a pair of intimate release shows in the United States. “We’ve been looking forward to sharing this album live with our fans,” the band said in a statement. “These first shows in New York and Los Angeles will be very special for us.”

Fans will have the chance to see The Beths perform at the Bowery Ballroom in New York City on August 25 and at the Bob Baker Marionette Theatre in Los Angeles on August 28. Tickets for both shows will go on sale Friday, August 15 at 10 AM local time, with presales starting August 13 at 10 AM.

Beyond these release shows, The Beths will return to the US in the fall for a full tour. A highlight of the tour will be their Brooklyn Paramount show on December 5, where Phoebe Rings and Illuminati Hotties will open. “Touring again in the US feels like coming home,” the band said. “We can’t wait to see everyone and perform these songs in person.”

Fans can also preorder Straight Line Was a Lie on blue vinyl through the band’s official shop, offering collectors a chance to own a unique edition of the album.

Story Highlights:

  • Album: Straight Line Was a Lie, release date August 29.

  • Intimate US shows: NYC Bowery Ballroom (Aug 25), LA Bob Baker Marionette Theatre (Aug 28).

  • Full US tour begins in October; Brooklyn Paramount show on December 5 with Phoebe Rings and Illuminati Hotties.

  • Blue vinyl preorder available via official band shop.

The Beths Tour Dates:

US Release Shows:

  • Mon, Aug 25 – NYC, Bowery Ballroom

  • Thu, Aug 28 – Los Angeles, Bob Baker Marionette Theatre

Europe Tour:

  • Sept 17–18 – Dublin, IE @ Button Factory

  • Sept 20 – Manchester, UK @ Albert Hall

  • Sept 21 – Glasgow, UK @ SWG3 TV Studio

  • Sept 22 – Leeds, UK @ Project House

  • Sept 24 – Bristol, UK @ O2 Academy

  • Sept 25 – Birmingham, UK @ XOYO

  • Sept 26 – London, UK @ Roundhouse

  • Sept 27 – Brighton, UK @ CHALK

  • Sept 29 – Tourcoing, FR @ Le Grand Mix

  • Sept 30 – Paris, FR @ Le Trabendo

  • Oct 1 – Brussels, BE @ Botanique

  • Oct 3 – Cologne, DE @ Kantine

  • Oct 4 – Amsterdam, NL @ Paradiso

  • Oct 5 – Hamburg, DE @ Knust

  • Oct 7 – Stockholm, SE @ Slaktkyrkan

  • Oct 8 – Oslo, NO @ Parkteatret Scene

  • Oct 9 – Copenhagen, DK @ Pumpehuset

  • Oct 11 – Berlin, DE @ Lido

  • Oct 12 – Munich, DE @ Strom

  • Oct 13 – Zurich, CH @ Plaza

  • Oct 15 – Barcelona, ES @ Razzmatazz 2

  • Oct 16 – Madrid, ES @ Nazca

  • Oct 17 – Lisbon, PT @ LAV

US Fall Tour (w/ Phoebe Rings unless noted):

  • Oct 30 – Asheville, NC @ The Orange Peel

  • Oct 31 – Atlanta, GA @ Variety Playhouse

  • Nov 1 – Nashville, TN @ Brooklyn Bowl

  • Nov 3 – Dallas, TX @ The Studio At The Bomb Factory

  • Nov 4 – Austin, TX @ Emo’s

  • Nov 6 – Phoenix, AZ @ The Van Buren

  • Nov 7 – Los Angeles, CA @ The Wiltern (w/ Bret McKenzie)

  • Nov 8–9 – San Francisco, CA @ The Fillmore

  • Nov 12 – Sacramento, CA @ Ace of Spades

  • Nov 14 – Portland, OR @ Crystal Ballroom

  • Nov 15 – Seattle, WA @ The Moore Theatre

  • Nov 16 – Vancouver, BC @ Commodore Ballroom

  • Nov 18 – Salt Lake City, UT @ Metro Music Hall

  • Nov 19 – Denver, CO @ Ogden Theatre

  • Nov 21 – Kansas City, MO @ The Truman

  • Nov 22 – St. Paul, MN @ Palace Theatre

  • Nov 23 – Chicago, IL @ The Salt Shed (Indoor, w/ Squirrel Flower)

  • Nov 25 – Cleveland, OH @ Globe Iron

  • Nov 26 – Pittsburgh, PA @ Roxian Theatre

  • Nov 27–28 – Toronto, ON @ Danforth Music Hall

  • Nov 29 – Montreal, QC @ Beanfield Theatre

  • Dec 1–2 – Boston, MA @ Royale

  • Dec 3 – Providence, RI @ Fete Music Hall

  • Dec 5 – Brooklyn, NY @ Brooklyn Paramount (w/ Illuminati Hotties)

  • Dec 6–7 – Philadelphia, PA @ Union Transfer

  • Dec 9–10 – Washington, D.C. @ 9:30 Club

The tour will feature supporting artists including Phoebe Rings, Bret McKenzie, Squirrel Flower, and Illuminati Hotties, providing a diverse and vibrant set of performances across North America and Europe.

As anticipation builds for Straight Line Was a Lie, The Beths are set to deliver an unforgettable live experience for fans both in intimate release shows and across their fall tour. With a mix of new tracks, special vinyl editions, and a lineup of talented supporting acts, this album cycle promises to be a defining moment for the band’s journey. Fans eager to experience the energy of The Beths live won’t want to miss these performances.

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Olivia Rodrigo Shocks Lollapalooza Crowd with Surprise Weezer Duet

In a dazzling turn of events at Lollapalooza, Olivia Rodrigo’s debut headlining act soared to thrilling heights as she welcomed legendary rock band Weezer to the stage. With thousands watching, the pop sensation and Rivers Cuomo joined forces for an electrifying duet on “Say It Ain’t So” and “Buddy Holly.” Rodrigo, who fondly recalled Weezer as her first concert, transformed the festival into a bold mix of nostalgia and surprise. The unforgettable moment, now trending online, marked a rare and vibrant crossover in the heart of Chicago’s music scene.

STORY HIGHLIGHTS

  • Olivia Rodrigo headlined Lollapalooza for the first time on Friday

  • Weezer made a surprise onstage appearance during her set

  • Rodrigo and Rivers Cuomo performed “Say It Ain’t So” and “Buddy Holly”

  • Rodrigo revealed Weezer was the first concert she attended as a fan

  • Weezer to headline Chicago’s Riot Fest in September

  • The moment was captured and shared on Instagram by NBC Chicago’s Matt Rodrigues

In a moment that bridged generations of music fans, Olivia Rodrigo delivered a surprise during her Friday night debut as a headliner at Lollapalooza, welcoming none other than alternative rock legends Weezer to the stage.

As the crowd packed into Grant Park for Rodrigo’s highly anticipated set, few expected the sudden shift from her chart-topping pop hits to a full-throttle rock collaboration. But halfway through her performance, Rodrigo stunned the audience when she introduced a band close to her heart.

“The first concert I ever went to was a Weezer show,” Rodrigo shared with the audience, her voice full of excitement and nostalgia.

And with that, the lights shifted, and Rivers Cuomo, the frontman of Weezer, stepped onto the stage alongside Rodrigo, instantly triggering a wave of cheers and disbelief among festivalgoers.

The collaboration wasn’t just symbolic — it was sonic. Rodrigo and Cuomo launched into two of Weezer’s most iconic tracks: “Say It Ain’t So” and “Buddy Holly.” The performance felt like a deliberate homage to Rodrigo’s musical roots while showcasing her range beyond pop anthems. Cuomo, guitar in hand, stood beside Rodrigo as they traded verses and harmonized choruses — a scene many fans will remember as one of the weekend’s defining moments.

Rodrigo’s admiration for Weezer is no secret, but this moment cemented that respect in front of thousands.

“It means so much to share the stage with a band that shaped my love for music,” she told the cheering crowd following the final notes of Buddy Holly.

The fusion of Rodrigo’s new-age pop energy with Weezer’s raw alt-rock grit offered more than just a surprise. It symbolized a musical bridge — one that connected fans of different eras under the lights of one of America’s biggest music festivals.

While Rodrigo continues to define her place among modern pop giants, Weezer is far from taking a back seat. The band is slated to return to Chicago in September as a headliner at Riot Fest, ensuring that their influence on today’s music landscape remains very much alive.

The unforgettable Lollapalooza moment didn’t go undocumented. NBC Chicago’s Matt Rodrigues captured the performance and shared a clip on Instagram, giving fans a closer look at the now-viral guest appearance.

Olivia Rodrigo’s surprise collaboration with Weezer not only added a striking twist to her Lollapalooza debut but also echoed the timeless power of musical influence across generations. By blending fresh pop with classic alt-rock, the performance carved a rare moment of unity on stage—one that resonated deeply with both longtime fans and new listeners. As Rodrigo rises and Weezer remains ever-relevant, this fusion served as a bold reminder that music’s most memorable chapters are often the ones least expected.

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Zac Brown Bets Big on Las Vegas Sphere With Love & Fear Spectacle

Country star Zac Brown steps into the spotlight with a daring new residency at the Sphere in Las Vegas, blending raw emotion, visual splendor, and musical power. Set to begin on December 5, the same day the band’s new album Love & Fear releases, this four-show series promises an immersive fan experience. Though it comes at a heavy personal cost, Brown calls it a turning point—uniting sound, story, and spectacle. With redemption as its heartbeat, the show invites audiences into a world of awe, wonder, and surprise.

STORY HIGHLIGHTS

  • Zac Brown Band Las Vegas Residency: Set for December at the cutting-edge Sphere venue

  • Coinciding Album Release: Love & Fear album drops on December 5, the night of the first show

  • Financial Risk: Brown reveals personal investment has put him in debt

  • Emotional Core: The show explores personal themes, redemption, and vulnerability

  • Immersive Experience: Fans can expect emotional highs, surprise covers, and unexpected visuals

  • Tickets Available: On sale now to the public

Country music heavyweight Zac Brown is no stranger to the road, but his latest venture is taking him far beyond familiar territory — both artistically and financially. The Zac Brown Band is gearing up for a four-show residency at Las Vegas’ cutting-edge Sphere, a move that promises spectacle, storytelling, and a deeply personal touch. However, Brown is candid about the weight that comes with the ambition.

In an exclusive conversation with Us Weekly, the 46-year-old singer didn’t shy away from revealing the pressures behind the scenes.

“Just going into debt to make it happen,”
Brown admitted bluntly.

For Brown, the financial burden is worth bearing if it helps secure the band’s place in the lineage of iconic touring acts.

“It’s a big moment in time and it’s like, for us, I want to be among the names of the Grateful Dead and the Rolling Stones,”
he explained, describing the Las Vegas residency as a pivotal career step.
“The bands that take that lifelong career impact fan journey — to be able to do that. This is our statement to try to step into that.”

The residency, titled Love & Fear, is scheduled to launch on Friday, December 5 — the same day the band drops their much-anticipated album of the same name. The timing is no coincidence. The band’s aim is to create a seamless bridge between recorded sound and live experience, immersing fans in a full-circle moment where new music and groundbreaking visuals collide.

This upcoming Sphere run makes the Zac Brown Band only the second country act to grace the venue’s futuristic stage — following in the footsteps of Kenny Chesney, who performed earlier this year. With a venue known for its 360-degree visuals, floor-to-ceiling immersion, and innovative acoustics, Brown sees this not just as a concert, but a transformative storytelling platform.

“Whatever adversity, I’m just like, ‘OK, bring it,’”
said Brown, signaling his readiness for the challenge.
“There’s lots of forces that are always trying to distract you from what you’re doing, and you just got to just keep plowing, keep going.”

The band’s creative process, according to Brown, has been more reflective than ever. Not only will fans get to hear new music — they’ll be taken through a visual journey inspired by Brown’s own life experiences. He described the emotional landscape of both the album and live performance as one where the audience will feel everything.

“Fans are going to feel every emotion that you can contain,”
Brown said.
“I hope they feel wonder.”

Creating a sense of awe is no small task, but Brown says it’s a guiding principle behind the residency’s design. Known for unpredictable setlists and genre-bending covers during live shows, the band intends to take the same approach to this residency — only on a much larger scale.

“Unpredictability is something we use in our live shows a lot,”
Brown said.
“I love pulling out covers that no one would ever expect us to play — that’s super fun. This is the same thing visually, sonically — everything we’re doing.”

With several months before opening night, the creative process remains ongoing. Brown noted that while the musical portion is complete, the visual narrative is still being woven together.

“We have all the audio finished. We’re putting the video pieces together, stitching it together,”
he explained.
“I’m finishing the story.”

And that story, Brown revealed, is more vulnerable than anything he’s shared before. The residency will feature moments rooted in real-life struggle and introspection, offering fans an unfiltered look at the artist behind the music.

“I’m telling a lot of personal things about my life that I’ve never shared before,”
he said.
“Everything that’s hard that we go through as human beings always ends up making us better in some way.”

The central narrative throughout Love & Fear, both as an album and a show, is built on the arc of redemption. Brown says he wants to lead fans through uncomfortable truths, emotional conflict, and eventually, catharsis — a structure he sees as essential to the artistic impact.

“Taking people on a journey through things that are uncomfortable and then creating that dissonance and then that tension and release is really the art of what we’re doing,”
he shared.
“I haven’t seen anything like what we’re doing there. So, it’s really exciting.”

With tickets now on sale, fans can expect more than just a performance — they’ll be stepping into Zac Brown’s personal world, shaped by years of growth, grit, and fearless artistry. Whether this bold venture cements his place alongside legendary bands remains to be seen, but for Brown, the risk is more than worth it.

As anticipation builds for Zac Brown Band’s Sphere residency, the stage is set not only for a concert, but for a deeply personal journey shaped by sound, struggle, and storytelling. With Love & Fear as both album and emotional anchor, Brown aims to offer fans more than music—he offers a full-sensory experience crafted with bold vision and artistic risk. Though the financial weight is real, the creative payoff may place Zac Brown among the greats he admires. For audiences, the message is clear: expect the unexpected, and prepare to feel everything.

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Lady Gaga Unleashes Operatic Mayhem in San Francisco Showstopper

Lady Gaga’s Mayhem Ball tour has arrived with full theatrical fire, blending opera, heavy metal, and pop into a dazzling live performance that defies genre. Held at San Francisco’s Chase Center, the concert unfolds in four acts, featuring a battle between angelic and demonic personas of the artist herself. With haunting gothic visuals, fire-lit stages, and unforgettable hits like Born This Way and Poker Face, the show offers spectacle with soul. From operatic nods to emotional tributes, Gaga delivers a fierce, surreal concert crafted for both drama and devotion.

STORY HIGHLIGHTS

• Gaga’s Mayhem Ball tour combines opera, rock, and theater in a four-act saga
• Show opens with a monologue by Angel Gaga and Devil Gaga, setting a narrative tone
• Aesthetic rooted in Victorian gothic with clear nods to “Alice in Wonderland” and “Phantom of the Opera”
• Gaga plays hits like “Born This Way,” “Poker Face,” and new tracks from her Mayhem album
• Emotional tribute paid to San Francisco, Tony Bennett, and Ozzy Osbourne

The opening track, 2011’s “Bloody Mary,” immediately tipped the scale in favor of Devil Gaga. With deep religious undertones and brooding synths, it established the darker theme early. That mood intensified with the explosive “Abracadabra,” a dance anthem from the Mayhem album. Lyrics like “Feel the beat under your feet, the floor’s on fire” were not mere metaphors—Gaga ensured the floor actually appeared to burn, thanks to masterful pyrotechnics.

By the time she arrived at “Judas,” the atmosphere had shifted fully into theatrical inferno. Gaga conjured fire and fury, blurring the line between concert and dramatic ritual.

The night wasn’t just a sonic experience; it was visually immersive. Throughout the performance, Gaga’s set design, costuming, and choreography stuck to the Victorian-era gothic concept. Despite the visual consistency, her music danced through genres—from rave-style electronic pop to moments of psychedelic funk and hard-driving heavy metal. In total, Gaga performed 28 songs, leaving little room to breathe. She sang, she danced, she shredded on electric guitar—often simultaneously.

Literary and cinematic references made frequent appearances. At one point, Gaga channeled the Queen of Hearts from Alice in Wonderland, screaming “Off with her head!” at her own dark alter ego. Later, atop a gondola moving across the stage, she slipped into a haunting version of “Shallow”, invoking imagery from Phantom of the Opera in both style and mood.

Of course, Gaga didn’t ignore her catalog of crowd favorites. “Just Dance,” “Paparazzi,” and “Poker Face”—all from her debut album The Fame—were met with deafening roars from the audience. Notably, the set leaned into nostalgia while still carving space for the aggressive new material from Mayhem.

The emotional peak of the night arrived midway through, when Gaga launched into her LGBTQ anthem, “Born This Way.” Her delivery was fierce and militant, underscoring the song’s political relevance in today’s tense social climate. Before diving into the track, she raised her voice and asked,

“Are you ready to celebrate your freedom? This one belongs to you.”

Her fans responded with unrelenting energy.

For much of the performance, Gaga remained within her crafted world, rarely speaking outside the confines of her alter egos or scripted moments. But that spell broke gently toward the end of the night, when she sat at a piano and shared an unscripted moment with the San Francisco crowd.

With emotion, she recounted her early days performing in the city’s club circuit.

“I was touring the world, doing clubs all over … doing three or four shows a night, not sleeping,” Gaga said, pausing between thoughts.
“And some places that I went, they just didn’t understand me. They loved the songs, but they were like, ‘She’s interesting.’”

Then, her voice softened:

“But not here. When I came here to San Francisco, I was accepted and I was embraced. I was upheld by this community with so much dignity and so much pride.”

She continued,

“Thank you for all the dignity that you showed me. You made me feel not alone … thank you for taking care of me, San Francisco.”

That gratitude extended beyond her own career. Gaga went on to acknowledge the city’s connection to late crooner Tony Bennett, her longtime friend and collaborator.

“And another thing,” she added, “thank you for taking care of Tony Bennett.”

The audience erupted in cheers, honoring both Gaga’s sentiment and the legacy of one of San Francisco’s musical treasures.

But the night held one final emotional beat. Just hours before the show, news broke that heavy metal legend Ozzy Osbourne had died. Gaga, whose performance leaned heavily into ‘80s metal aesthetics, paid homage in her own way.

During the encore, she brought fans backstage via live video. At her mirror, still removing makeup and surrounded by dancers, Gaga slipped on a vintage Ozzy T-shirt and softly began singing “How Bad Do U Want Me.” She hugged her team, then returned to the stage, this time more raw and unfiltered.

As the lights dimmed and the crowd reached its final crescendo, Gaga took her last bows to the roaring guitars of Osbourne’s “Crazy Train.” The tribute felt fitting—two icons of spectacle, rebellion, and sonic force meeting in spirit, if not in time.

Lady Gaga’s Mayhem Ball isn’t just a tour—it’s a declaration. It’s a carefully sculpted collision of music, memory, mythology, and movement. In cities like San Francisco, where her roots run deep and her message resonates loud, the spectacle lands with particular weight.

The Mayhem Ball continues its run with additional sold-out dates, promising more nights where pop becomes opera, and the stage becomes a battlefield for the soul.

Lady Gaga’s Mayhem Ball is more than just a concert—it’s a visceral, genre-bending narrative where theater, pop, and emotion collide. From gothic grandeur and operatic flourishes to unapologetic anthems of identity and freedom, the show reinforces Gaga’s position as a fearless performer who doesn’t just entertain—she challenges, transforms, and connects. Her heartfelt tribute to San Francisco and poignant nod to legends like Tony Bennett and Ozzy Osbourne only deepened the night’s resonance. As the final notes echoed through the Chase Center, one thing was clear: Gaga didn’t just put on a show—she created a legacy moment.

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Stevie Nicks Brings Her Solo Spell to NYC and Jersey—Tickets Now in Play

Music legend Stevie Nicks is set to dazzle fans with her solo tour in 2025, featuring two rare performances in the tri-state area—on August 8 at Brooklyn’s Barclays Center and October 18 in Atlantic City. Tickets are live on Ticketmaster and major resale platforms, with prices starting at $178. The tour begins in New York and ends in Hartford on October 25. Following the cancellation of her joint tour with Billy Joel, Nicks now takes center stage alone, promising unforgettable evenings of timeless sound.

STORY HIGHLIGHTS:

  • Confirmed Dates in Tri-State:
    Aug. 8 – Barclays Center, Brooklyn, N.Y.
    Oct. 18 – Atlantic City, N.J.

  • Tickets On Sale Now:
    Primary sales through Ticketmaster
    Resale options on StubHub, Vivid Seats, SeatGeek, TicketNetwork, Viagogo

  • Discount Alert:
    First-time Vivid Seats customers can get $20 off ticket orders over $200 using code NJ20

  • Starting Prices (Before Fees):
    $178 for Brooklyn show (Viagogo)
    $214 for Atlantic City show (Viagogo)

  • Tour Timeline:
    Launches Aug. 8 in Brooklyn
    Ends Oct. 25 in Hartford, Conn.

  • Billy Joel Collab Canceled:
    Initially planned joint tour with Billy Joel scrapped due to his health diagnosis

Fans of Stevie Nicks, the legendary Fleetwood Mac frontwoman known for her ethereal voice and mystical stage presence, have reason to celebrate—she’s officially headed back to the stage later this year, and two of her stops are right here in the tri-state area. With only a handful of solo performances scheduled across the country, Nicks is set to bring her signature magic to the Barclays Center in Brooklyn on August 8 and then again to Atlantic City on October 18.

For longtime followers of her music and newcomers drawn to the timeless power of hits like “Gypsy” and “Dreams,” these performances mark a rare chance to see the rock legend live. After decades of captivating audiences around the world, Stevie Nicks continues to tour selectively—making these shows all the more significant for fans in and around New York and New Jersey.

While general tickets are available through Ticketmaster, fans who missed out on the early wave needn’t worry—resale platforms like StubHub, SeatGeek, Vivid Seats, TicketNetwork, and Viagogo are currently offering seats, though prices vary by location and availability. As of now, the lowest prices found on Viagogo are $178 for the Brooklyn performance and $214 for the Atlantic City show. These figures exclude processing and service fees.

For budget-conscious fans, there’s a small silver lining—Vivid Seats is offering a discount for first-time buyers. Any order exceeding $200 qualifies for a $20 deduction using the code NJ20 at checkout. Considering ticket prices, that promo could come in handy.

The tour itself is relatively compact, spanning from early August through late October, with a final show scheduled in Hartford, Connecticut on October 25. That tight schedule makes each stop feel like an event rather than just another concert. It’s worth noting that this solo tour was not always the plan. Nicks was originally slated to tour with Billy Joel in a much-anticipated co-headlining stadium series. However, following Joel’s diagnosis with normal pressure hydrocephalus, all collaborative dates were canceled, leaving Nicks to proceed with her solo run.

Aside from Stevie Nicks, the Barclays Center is bracing for a loaded 2025 calendar with several major artists preparing to take the stage. Among the high-profile names are Tyler, The Creator, Linkin Park, Ken Carson, and Eric Church—each set to deliver performances that span genres and generations.

For now, though, it’s Stevie Nicks who’s drawing the spotlight, with her Brooklyn and Atlantic City shows likely to become two of the most anticipated live music events in the region this year. Whether you’re a seasoned fan or a newcomer lured by the legend, this tour offers a chance to experience one of rock’s most iconic voices live—mystical, raw, and still unapologetically Stevie.

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