Tag Archives: live performance

Billy Idol

Billy Idol Still Rocks New York: ‘Rebel Yell’ Energy Never Fades

Billy Idol, the British punk rocker who became an iconic ‘80s rock star, says the thrill of performing never fades, even after nearly 50 years in music.

“You would think it would get boring,” Idol told LAist, reflecting on performing his signature hit Rebel Yell, “but no, actually, it’s almost more exciting. It’s a high that doesn’t fade.”

Story Highlights:

  • Billy Idol describes performing Rebel Yell as a “high that doesn’t fade.”

  • New documentary Billy Idol Should Be Dead covers his near-fatal heroin overdose and serious motorcycle accident.

  • Idol reflects on Generation X, punk influence, and personal identity.

  • Credited Bowie, Lou Reed, and John Lennon for inspiring self-expression.

  • Helped define MTV-era music video style with director David Fincher.

  • Current tour continues across South America after recent shows with Joan Jett.

Even decades into his career, Idol finds magic in each stage appearance. “The old songs don’t seem to get old,” he added, describing the lasting energy of his live shows.

Idol spoke ahead of the premiere of Billy Idol Should Be Dead, a new documentary that chronicles his life, career, and near-death experiences. The documentary, which premiered at the Tribeca Film Festival this summer, explores the singer’s personal struggles, including a near-fatal heroin overdose in 1984 and a serious motorcycle accident in 1990.

“The documentary shows a period of my life that was intense,” Idol said. “There was just like a 10-year period where I was a bit of a drug addict. But I’ve always lived a little bit on the edge. It was part of exploring the world we were going into—the music world.”

Idol’s reflections offer a glimpse into how the rebellious spirit of punk rock shaped his career. “We were just embracing that freedom of that kind of lifestyle that we’d dreamt of,” he said.

He credited musical legends like David Bowie, Lou Reed, and John Lennon for inspiring him to find his own identity. “They were always telling you to find out who you are and be it. That’s what I did. I found out who I was, and that’s what you’ve been listening to,” he said.

Before going solo in 1981, Idol gained fame with the punk band Generation X. Though often labeled punk, he rejected rigid genre definitions. “Punk wasn’t a uniform look or sound. It meant your vision of what punk was. What we did in Generation X—that’s kind of my answer. My solo career has been my answer to the ‘80s, ‘90s, and 2000s,” Idol explained.

At the height of MTV, Idol also played a key role in defining the music video aesthetic. Collaborating with then-up-and-coming directors like David Fincher, he developed a visual style that became iconic.

In the music video for Cradle of Love, filmed shortly after Idol’s motorcycle accident, Fincher had to work around Idol’s injury.

“I couldn’t bend my leg,” Idol said. “David Fincher had this idea about me being a sort of picture on the wall that would come to life. I could just be on this box kind of leaning forward, and it would look like I’m in action.”

Idol’s current tour, which recently included a show at the Kia Forum with Joan Jett and the Blackhearts, now heads to South America. Even decades later, Billy Idol continues to command stages with the same energy that made him a global rock icon.

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Jarvis Cocker Returns: Pulp’s ‘More’ Album Redefines Love Songs for Today

Jarvis Cocker, the unmistakable frontman of Britpop legends Pulp, has returned with a fresh perspective on love and life. Known for his sharp wit and candid lyricism, Cocker is revisiting the theme that first inspired him as a teenager: love. But unlike his early years, the new Pulp material reflects a more mature, heartfelt take, proving that love songs can evolve with the songwriter.

Story Highlights:

  • Jarvis Cocker releases first album in 25 years with Pulp: More.

  • New single Got to Have Love reflects mature perspective on love.

  • Album inspired by band reunion and personal losses, including Steve Mackey and Cocker’s mother.

  • Tracks like Spike Island highlight Cocker’s passion for live performance.

  • More blends classic Pulp sound with earnest modern storytelling.

  • Pulp performs at Suffolk Downs on Sept. 13.

Growing up, Cocker adored the love songs of the 1970s, the kind of pop ballads that promised romance in sweeping gestures. When he started Pulp as a teenager, he attempted to craft his own love songs, only to discover that love in real life was far messier than what records suggested.

“I started the band at the same time that I started trying to date girls,” Cocker told the Boston Herald.

“And when I started to try to date girls, I was horrified that it was so difficult. It wasn’t easy and I felt betrayed by songs. Love wasn’t this nicey-nicey thing.”

Although Cocker’s teenage self loved pop music, he felt the lyrics had sold him a “dud,” a romantic ideal that reality refused to match. That sense of disillusionment shaped his vow to write songs that captured the truth of human emotion, not a sugarcoated version of it.

Today, that approach is most evident in Pulp’s new album, More, their first release in 25 years. The album, filled with both familiar Pulp sounds and newly honed perspectives, explores love, life, and performance with a striking honesty.

Take the single Got to Have Love, for instance. Here, Cocker’s voice carries both longing and certainty:

“It cannot be denied, I waited far too long/To believe, to believe in the words, I once wrote to this song.”

“I would have felt just too embarrassed to write that song,” Cocker explained, reflecting on his younger self.

“It doesn’t say it in an ironic or tangential way. It just says, ‘Got to have love, and I’m not going to argue about it.’ In fact, I’m going to tell you off in the middle of the song. ‘Can you even spell it? Because I’ll even spell it out for you.’”

The song concludes with a spoken-word section, emphasizing the necessity of love, and marking a significant shift from Cocker’s ironic teenage lyricism to the earnestness of a mature artist.

More is not only about love; it’s about embracing the full experience of life. Opening track Spike Island demonstrates Cocker’s self-awareness as a performer:

“I was born to perform, it’s a calling. I exist to do this, shouting and pointing,” he said.

Cocker, now 61, admits that performing live allows him to channel music fully. “I’m a person who tends to think all the time… When you perform live, there’s no time to think. You become a channel, shall we say, for the music to come through.”

The creation of More was influenced by both joy and personal loss. Bassist Steve Mackey passed away, and Cocker’s mother also died, marking a period of reflection for the band. “It’s been an interesting period, and upsetting in certain ways,” he said.

“Things like that were significant in that if you were going to try and do something creative, why not get on with it because you don’t get forever to do it.”

The album was recorded in a rush, partially due to a minimalist studio setup. The band even bought the cheapest IKEA couch to fill a hallway. Despite the simplicity, the recording process captured a sense of immediacy and authenticity.

While songs like Tina and My Sex retain classic Pulp energy, More introduces a new sincerity. Cocker’s reflections, both lyrical and personal, bring a powerful resonance to the band’s signature sound.

With More, Pulp proves that love songs can grow alongside the artist. Their upcoming performance at Suffolk Downs on September 13 will showcase both their legendary stage presence and their evolved musical narrative.

For fans of Britpop and Pulp alike, the album is a reminder that while youth may color our early songs, experience adds depth, honesty, and urgency. Jarvis Cocker and Pulp have returned not just to recreate the past, but to redefine it for today.

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The Beths Ignite NYC and LA with New Album Release

New Zealand indie rock sensations, The Beths, are preparing to unveil their highly anticipated new album, Straight Line Was a Lie, on August 29. To mark the occasion, the band has announced a pair of intimate release shows in the United States. “We’ve been looking forward to sharing this album live with our fans,” the band said in a statement. “These first shows in New York and Los Angeles will be very special for us.”

Fans will have the chance to see The Beths perform at the Bowery Ballroom in New York City on August 25 and at the Bob Baker Marionette Theatre in Los Angeles on August 28. Tickets for both shows will go on sale Friday, August 15 at 10 AM local time, with presales starting August 13 at 10 AM.

Beyond these release shows, The Beths will return to the US in the fall for a full tour. A highlight of the tour will be their Brooklyn Paramount show on December 5, where Phoebe Rings and Illuminati Hotties will open. “Touring again in the US feels like coming home,” the band said. “We can’t wait to see everyone and perform these songs in person.”

Fans can also preorder Straight Line Was a Lie on blue vinyl through the band’s official shop, offering collectors a chance to own a unique edition of the album.

Story Highlights:

  • Album: Straight Line Was a Lie, release date August 29.

  • Intimate US shows: NYC Bowery Ballroom (Aug 25), LA Bob Baker Marionette Theatre (Aug 28).

  • Full US tour begins in October; Brooklyn Paramount show on December 5 with Phoebe Rings and Illuminati Hotties.

  • Blue vinyl preorder available via official band shop.

The Beths Tour Dates:

US Release Shows:

  • Mon, Aug 25 – NYC, Bowery Ballroom

  • Thu, Aug 28 – Los Angeles, Bob Baker Marionette Theatre

Europe Tour:

  • Sept 17–18 – Dublin, IE @ Button Factory

  • Sept 20 – Manchester, UK @ Albert Hall

  • Sept 21 – Glasgow, UK @ SWG3 TV Studio

  • Sept 22 – Leeds, UK @ Project House

  • Sept 24 – Bristol, UK @ O2 Academy

  • Sept 25 – Birmingham, UK @ XOYO

  • Sept 26 – London, UK @ Roundhouse

  • Sept 27 – Brighton, UK @ CHALK

  • Sept 29 – Tourcoing, FR @ Le Grand Mix

  • Sept 30 – Paris, FR @ Le Trabendo

  • Oct 1 – Brussels, BE @ Botanique

  • Oct 3 – Cologne, DE @ Kantine

  • Oct 4 – Amsterdam, NL @ Paradiso

  • Oct 5 – Hamburg, DE @ Knust

  • Oct 7 – Stockholm, SE @ Slaktkyrkan

  • Oct 8 – Oslo, NO @ Parkteatret Scene

  • Oct 9 – Copenhagen, DK @ Pumpehuset

  • Oct 11 – Berlin, DE @ Lido

  • Oct 12 – Munich, DE @ Strom

  • Oct 13 – Zurich, CH @ Plaza

  • Oct 15 – Barcelona, ES @ Razzmatazz 2

  • Oct 16 – Madrid, ES @ Nazca

  • Oct 17 – Lisbon, PT @ LAV

US Fall Tour (w/ Phoebe Rings unless noted):

  • Oct 30 – Asheville, NC @ The Orange Peel

  • Oct 31 – Atlanta, GA @ Variety Playhouse

  • Nov 1 – Nashville, TN @ Brooklyn Bowl

  • Nov 3 – Dallas, TX @ The Studio At The Bomb Factory

  • Nov 4 – Austin, TX @ Emo’s

  • Nov 6 – Phoenix, AZ @ The Van Buren

  • Nov 7 – Los Angeles, CA @ The Wiltern (w/ Bret McKenzie)

  • Nov 8–9 – San Francisco, CA @ The Fillmore

  • Nov 12 – Sacramento, CA @ Ace of Spades

  • Nov 14 – Portland, OR @ Crystal Ballroom

  • Nov 15 – Seattle, WA @ The Moore Theatre

  • Nov 16 – Vancouver, BC @ Commodore Ballroom

  • Nov 18 – Salt Lake City, UT @ Metro Music Hall

  • Nov 19 – Denver, CO @ Ogden Theatre

  • Nov 21 – Kansas City, MO @ The Truman

  • Nov 22 – St. Paul, MN @ Palace Theatre

  • Nov 23 – Chicago, IL @ The Salt Shed (Indoor, w/ Squirrel Flower)

  • Nov 25 – Cleveland, OH @ Globe Iron

  • Nov 26 – Pittsburgh, PA @ Roxian Theatre

  • Nov 27–28 – Toronto, ON @ Danforth Music Hall

  • Nov 29 – Montreal, QC @ Beanfield Theatre

  • Dec 1–2 – Boston, MA @ Royale

  • Dec 3 – Providence, RI @ Fete Music Hall

  • Dec 5 – Brooklyn, NY @ Brooklyn Paramount (w/ Illuminati Hotties)

  • Dec 6–7 – Philadelphia, PA @ Union Transfer

  • Dec 9–10 – Washington, D.C. @ 9:30 Club

The tour will feature supporting artists including Phoebe Rings, Bret McKenzie, Squirrel Flower, and Illuminati Hotties, providing a diverse and vibrant set of performances across North America and Europe.

As anticipation builds for Straight Line Was a Lie, The Beths are set to deliver an unforgettable live experience for fans both in intimate release shows and across their fall tour. With a mix of new tracks, special vinyl editions, and a lineup of talented supporting acts, this album cycle promises to be a defining moment for the band’s journey. Fans eager to experience the energy of The Beths live won’t want to miss these performances.

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Jonas Brothers Surprise Fans with Epic Camp Rock Reunion at MetLife

The Jonas Brothers brought a wave of nostalgia to fans as they launched their highly anticipated 20th anniversary tour on Sunday, August 10. The much-loved trio—Kevin, 37, Joe, 35, and Nick Jonas, 32—held the first of their JONAS20 shows at the iconic MetLife Stadium in their home state of New Jersey. The event was not only a celebration of two decades of music but also a heartfelt nod to their early Disney days, marked by a surprise appearance that thrilled the audience.

Story Highlights

  • Jonas Brothers kick off 20th anniversary tour at MetLife Stadium, New Jersey

  • Surprise reunion with Demi Lovato performing Camp Rock hits

  • Joe and Demi perform “This Is Me” and “Wouldn’t Change a Thing”

  • Kevin and Nick reflect on their roles and audition stories from Camp Rock

  • Lovato’s husband shares proud moments from the reunion on social media

  • Family joins brothers on stage for “When You Look Me in the Eyes”

  • Jonas Brothers discuss setlist challenges and tour fun on The Tonight Show

A Walk Down Memory Lane with Camp Rock

As the concert unfolded, the Jonas Brothers paused to honor their roots with a tribute to the 2008 Disney movie Camp Rock, which played a pivotal role in their rise to fame. Joe Jonas, who famously played pop star Shane Gray in the film, opened the tribute by delivering a passionate rendition of the song “Gotta Find You.” The moment was charged with emotion, setting the stage for what was to become the highlight of the night.

Soon after, Joe invited a very special guest onto the stage—Demi Lovato. Lovato, 32, who portrayed Mitchie Torres in the movie and shared a brief romantic relationship with Joe in real life back in 2010, joined the brothers to perform the beloved tracks “This Is Me” and “Wouldn’t Change a Thing.” Their chemistry, both on and off screen, resonated powerfully with the crowd.

Reflecting on Time Passed

Following their performance of “This Is Me,” Joe addressed the audience with a sense of wonder. He confessed, “We haven’t performed this together in almost 10 years,” prompting Demi to add, “It might have been even longer.” Their words highlighted just how special and rare this reunion was.

Kevin and Nick also played their parts in the nostalgic homage. Both had roles in Camp Rock as Jason and Nate, respectively, members of the fictional band Connect Three. Nick recounted the audition experience, recalling, “Joe got the job first, and then somehow our dad figured out a way to get me and Kevin involved in the movie too.”

He went on to say, “I think it’s time we all walked down memory lane to celebrate a little movie called Camp Rock.”

Family and Fans Share the Moment

The night’s surprises continued beyond the Camp Rock reunion. Demi Lovato’s husband, Jordan “Jutes” Lutes, shared moments from the event on his Instagram Stories, capturing Demi’s walk onto the stage amidst roaring applause. He expressed his pride with a heartfelt message: “Couldn’t be more proud … I love u sooo much baby.”

Meanwhile, both Joe and Demi posted their own glimpses of the reunion on social media. They shared playful videos lip-syncing to “Wouldn’t Change a Thing,” as well as mimicking a famous speech by Disney star Debby Ryan, capturing the joy and excitement of the evening. Demi captioned one post simply: “For the history books @joejonas.”

Later, the brothers welcomed more family members on stage, including their parents Kevin Jonas Sr. and Denise Jonas, younger brother Frankie, 24, Kevin’s wife Danielle Jonas, and their daughters Valentina, 8, and Alena, 11. Together, they performed the band’s 2007 hit “When You Look Me in the Eyes,” creating a touching family moment that delighted fans.

The Challenge of Celebrating Two Decades

In the days leading up to the concert, the Jonas Brothers appeared on The Tonight Show Starring Jimmy Fallon to discuss the upcoming tour. Kevin reflected on the process of curating their performances: “There’s so much music to play. The setlist is hard to build, right?”

He continued, “But at the same time, it’s so fun because we do get to take breaks and admire each other’s work at the same time.”

Joe added with a chuckle, “And pee breaks mostly.”

As the Jonas Brothers continue their 20th anniversary celebrations, fans are reminded of the journey that began with Camp Rock and blossomed into a career spanning two decades. The reunion with Demi Lovato at MetLife Stadium was a poignant reminder of their shared history and the enduring power of their music.

The Jonas Brothers’ 20th anniversary tour kickoff was more than just a concert—it was a heartfelt celebration of their musical journey and the moments that shaped their careers. Their unexpected reunion with Demi Lovato not only delighted longtime fans but also rekindled memories of their Disney beginnings. With family joining the stage and the brothers reflecting on their past and present, the event perfectly captured the spirit of togetherness and nostalgia. As the tour continues, it promises to be a vibrant homage to two decades of music, growth, and lasting bonds.

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Lady Gaga Unleashes Operatic Mayhem in San Francisco Showstopper

Lady Gaga’s Mayhem Ball tour has arrived with full theatrical fire, blending opera, heavy metal, and pop into a dazzling live performance that defies genre. Held at San Francisco’s Chase Center, the concert unfolds in four acts, featuring a battle between angelic and demonic personas of the artist herself. With haunting gothic visuals, fire-lit stages, and unforgettable hits like Born This Way and Poker Face, the show offers spectacle with soul. From operatic nods to emotional tributes, Gaga delivers a fierce, surreal concert crafted for both drama and devotion.

STORY HIGHLIGHTS

• Gaga’s Mayhem Ball tour combines opera, rock, and theater in a four-act saga
• Show opens with a monologue by Angel Gaga and Devil Gaga, setting a narrative tone
• Aesthetic rooted in Victorian gothic with clear nods to “Alice in Wonderland” and “Phantom of the Opera”
• Gaga plays hits like “Born This Way,” “Poker Face,” and new tracks from her Mayhem album
• Emotional tribute paid to San Francisco, Tony Bennett, and Ozzy Osbourne

The opening track, 2011’s “Bloody Mary,” immediately tipped the scale in favor of Devil Gaga. With deep religious undertones and brooding synths, it established the darker theme early. That mood intensified with the explosive “Abracadabra,” a dance anthem from the Mayhem album. Lyrics like “Feel the beat under your feet, the floor’s on fire” were not mere metaphors—Gaga ensured the floor actually appeared to burn, thanks to masterful pyrotechnics.

By the time she arrived at “Judas,” the atmosphere had shifted fully into theatrical inferno. Gaga conjured fire and fury, blurring the line between concert and dramatic ritual.

The night wasn’t just a sonic experience; it was visually immersive. Throughout the performance, Gaga’s set design, costuming, and choreography stuck to the Victorian-era gothic concept. Despite the visual consistency, her music danced through genres—from rave-style electronic pop to moments of psychedelic funk and hard-driving heavy metal. In total, Gaga performed 28 songs, leaving little room to breathe. She sang, she danced, she shredded on electric guitar—often simultaneously.

Literary and cinematic references made frequent appearances. At one point, Gaga channeled the Queen of Hearts from Alice in Wonderland, screaming “Off with her head!” at her own dark alter ego. Later, atop a gondola moving across the stage, she slipped into a haunting version of “Shallow”, invoking imagery from Phantom of the Opera in both style and mood.

Of course, Gaga didn’t ignore her catalog of crowd favorites. “Just Dance,” “Paparazzi,” and “Poker Face”—all from her debut album The Fame—were met with deafening roars from the audience. Notably, the set leaned into nostalgia while still carving space for the aggressive new material from Mayhem.

The emotional peak of the night arrived midway through, when Gaga launched into her LGBTQ anthem, “Born This Way.” Her delivery was fierce and militant, underscoring the song’s political relevance in today’s tense social climate. Before diving into the track, she raised her voice and asked,

“Are you ready to celebrate your freedom? This one belongs to you.”

Her fans responded with unrelenting energy.

For much of the performance, Gaga remained within her crafted world, rarely speaking outside the confines of her alter egos or scripted moments. But that spell broke gently toward the end of the night, when she sat at a piano and shared an unscripted moment with the San Francisco crowd.

With emotion, she recounted her early days performing in the city’s club circuit.

“I was touring the world, doing clubs all over … doing three or four shows a night, not sleeping,” Gaga said, pausing between thoughts.
“And some places that I went, they just didn’t understand me. They loved the songs, but they were like, ‘She’s interesting.’”

Then, her voice softened:

“But not here. When I came here to San Francisco, I was accepted and I was embraced. I was upheld by this community with so much dignity and so much pride.”

She continued,

“Thank you for all the dignity that you showed me. You made me feel not alone … thank you for taking care of me, San Francisco.”

That gratitude extended beyond her own career. Gaga went on to acknowledge the city’s connection to late crooner Tony Bennett, her longtime friend and collaborator.

“And another thing,” she added, “thank you for taking care of Tony Bennett.”

The audience erupted in cheers, honoring both Gaga’s sentiment and the legacy of one of San Francisco’s musical treasures.

But the night held one final emotional beat. Just hours before the show, news broke that heavy metal legend Ozzy Osbourne had died. Gaga, whose performance leaned heavily into ‘80s metal aesthetics, paid homage in her own way.

During the encore, she brought fans backstage via live video. At her mirror, still removing makeup and surrounded by dancers, Gaga slipped on a vintage Ozzy T-shirt and softly began singing “How Bad Do U Want Me.” She hugged her team, then returned to the stage, this time more raw and unfiltered.

As the lights dimmed and the crowd reached its final crescendo, Gaga took her last bows to the roaring guitars of Osbourne’s “Crazy Train.” The tribute felt fitting—two icons of spectacle, rebellion, and sonic force meeting in spirit, if not in time.

Lady Gaga’s Mayhem Ball isn’t just a tour—it’s a declaration. It’s a carefully sculpted collision of music, memory, mythology, and movement. In cities like San Francisco, where her roots run deep and her message resonates loud, the spectacle lands with particular weight.

The Mayhem Ball continues its run with additional sold-out dates, promising more nights where pop becomes opera, and the stage becomes a battlefield for the soul.

Lady Gaga’s Mayhem Ball is more than just a concert—it’s a visceral, genre-bending narrative where theater, pop, and emotion collide. From gothic grandeur and operatic flourishes to unapologetic anthems of identity and freedom, the show reinforces Gaga’s position as a fearless performer who doesn’t just entertain—she challenges, transforms, and connects. Her heartfelt tribute to San Francisco and poignant nod to legends like Tony Bennett and Ozzy Osbourne only deepened the night’s resonance. As the final notes echoed through the Chase Center, one thing was clear: Gaga didn’t just put on a show—she created a legacy moment.

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