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Zac Brown

Zac Brown Bets Big on Las Vegas Sphere With Love & Fear Spectacle

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Country star Zac Brown steps into the spotlight with a daring new residency at the Sphere in Las Vegas, blending raw emotion, visual splendor, and musical power. Set to begin on December 5, the same day the band’s new album Love & Fear releases, this four-show series promises an immersive fan experience. Though it comes at a heavy personal cost, Brown calls it a turning point—uniting sound, story, and spectacle. With redemption as its heartbeat, the show invites audiences into a world of awe, wonder, and surprise.

STORY HIGHLIGHTS

  • Zac Brown Band Las Vegas Residency: Set for December at the cutting-edge Sphere venue

  • Coinciding Album Release: Love & Fear album drops on December 5, the night of the first show

  • Financial Risk: Brown reveals personal investment has put him in debt

  • Emotional Core: The show explores personal themes, redemption, and vulnerability

  • Immersive Experience: Fans can expect emotional highs, surprise covers, and unexpected visuals

  • Tickets Available: On sale now to the public

Country music heavyweight Zac Brown is no stranger to the road, but his latest venture is taking him far beyond familiar territory — both artistically and financially. The Zac Brown Band is gearing up for a four-show residency at Las Vegas’ cutting-edge Sphere, a move that promises spectacle, storytelling, and a deeply personal touch. However, Brown is candid about the weight that comes with the ambition.

In an exclusive conversation with Us Weekly, the 46-year-old singer didn’t shy away from revealing the pressures behind the scenes.

“Just going into debt to make it happen,”
Brown admitted bluntly.

For Brown, the financial burden is worth bearing if it helps secure the band’s place in the lineage of iconic touring acts.

“It’s a big moment in time and it’s like, for us, I want to be among the names of the Grateful Dead and the Rolling Stones,”
he explained, describing the Las Vegas residency as a pivotal career step.
“The bands that take that lifelong career impact fan journey — to be able to do that. This is our statement to try to step into that.”

The residency, titled Love & Fear, is scheduled to launch on Friday, December 5 — the same day the band drops their much-anticipated album of the same name. The timing is no coincidence. The band’s aim is to create a seamless bridge between recorded sound and live experience, immersing fans in a full-circle moment where new music and groundbreaking visuals collide.

This upcoming Sphere run makes the Zac Brown Band only the second country act to grace the venue’s futuristic stage — following in the footsteps of Kenny Chesney, who performed earlier this year. With a venue known for its 360-degree visuals, floor-to-ceiling immersion, and innovative acoustics, Brown sees this not just as a concert, but a transformative storytelling platform.

“Whatever adversity, I’m just like, ‘OK, bring it,’”
said Brown, signaling his readiness for the challenge.
“There’s lots of forces that are always trying to distract you from what you’re doing, and you just got to just keep plowing, keep going.”

The band’s creative process, according to Brown, has been more reflective than ever. Not only will fans get to hear new music — they’ll be taken through a visual journey inspired by Brown’s own life experiences. He described the emotional landscape of both the album and live performance as one where the audience will feel everything.

“Fans are going to feel every emotion that you can contain,”
Brown said.
“I hope they feel wonder.”

Creating a sense of awe is no small task, but Brown says it’s a guiding principle behind the residency’s design. Known for unpredictable setlists and genre-bending covers during live shows, the band intends to take the same approach to this residency — only on a much larger scale.

“Unpredictability is something we use in our live shows a lot,”
Brown said.
“I love pulling out covers that no one would ever expect us to play — that’s super fun. This is the same thing visually, sonically — everything we’re doing.”

With several months before opening night, the creative process remains ongoing. Brown noted that while the musical portion is complete, the visual narrative is still being woven together.

“We have all the audio finished. We’re putting the video pieces together, stitching it together,”
he explained.
“I’m finishing the story.”

And that story, Brown revealed, is more vulnerable than anything he’s shared before. The residency will feature moments rooted in real-life struggle and introspection, offering fans an unfiltered look at the artist behind the music.

“I’m telling a lot of personal things about my life that I’ve never shared before,”
he said.
“Everything that’s hard that we go through as human beings always ends up making us better in some way.”

The central narrative throughout Love & Fear, both as an album and a show, is built on the arc of redemption. Brown says he wants to lead fans through uncomfortable truths, emotional conflict, and eventually, catharsis — a structure he sees as essential to the artistic impact.

“Taking people on a journey through things that are uncomfortable and then creating that dissonance and then that tension and release is really the art of what we’re doing,”
he shared.
“I haven’t seen anything like what we’re doing there. So, it’s really exciting.”

With tickets now on sale, fans can expect more than just a performance — they’ll be stepping into Zac Brown’s personal world, shaped by years of growth, grit, and fearless artistry. Whether this bold venture cements his place alongside legendary bands remains to be seen, but for Brown, the risk is more than worth it.

As anticipation builds for Zac Brown Band’s Sphere residency, the stage is set not only for a concert, but for a deeply personal journey shaped by sound, struggle, and storytelling. With Love & Fear as both album and emotional anchor, Brown aims to offer fans more than music—he offers a full-sensory experience crafted with bold vision and artistic risk. Though the financial weight is real, the creative payoff may place Zac Brown among the greats he admires. For audiences, the message is clear: expect the unexpected, and prepare to feel everything.

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Lady Gaga Unleashes Operatic Mayhem in San Francisco Showstopper

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Lady Gaga’s Mayhem Ball tour has arrived with full theatrical fire, blending opera, heavy metal, and pop into a dazzling live performance that defies genre. Held at San Francisco’s Chase Center, the concert unfolds in four acts, featuring a battle between angelic and demonic personas of the artist herself. With haunting gothic visuals, fire-lit stages, and unforgettable hits like Born This Way and Poker Face, the show offers spectacle with soul. From operatic nods to emotional tributes, Gaga delivers a fierce, surreal concert crafted for both drama and devotion.

STORY HIGHLIGHTS

• Gaga’s Mayhem Ball tour combines opera, rock, and theater in a four-act saga
• Show opens with a monologue by Angel Gaga and Devil Gaga, setting a narrative tone
• Aesthetic rooted in Victorian gothic with clear nods to “Alice in Wonderland” and “Phantom of the Opera”
• Gaga plays hits like “Born This Way,” “Poker Face,” and new tracks from her Mayhem album
• Emotional tribute paid to San Francisco, Tony Bennett, and Ozzy Osbourne

The opening track, 2011’s “Bloody Mary,” immediately tipped the scale in favor of Devil Gaga. With deep religious undertones and brooding synths, it established the darker theme early. That mood intensified with the explosive “Abracadabra,” a dance anthem from the Mayhem album. Lyrics like “Feel the beat under your feet, the floor’s on fire” were not mere metaphors—Gaga ensured the floor actually appeared to burn, thanks to masterful pyrotechnics.

By the time she arrived at “Judas,” the atmosphere had shifted fully into theatrical inferno. Gaga conjured fire and fury, blurring the line between concert and dramatic ritual.

The night wasn’t just a sonic experience; it was visually immersive. Throughout the performance, Gaga’s set design, costuming, and choreography stuck to the Victorian-era gothic concept. Despite the visual consistency, her music danced through genres—from rave-style electronic pop to moments of psychedelic funk and hard-driving heavy metal. In total, Gaga performed 28 songs, leaving little room to breathe. She sang, she danced, she shredded on electric guitar—often simultaneously.

Literary and cinematic references made frequent appearances. At one point, Gaga channeled the Queen of Hearts from Alice in Wonderland, screaming “Off with her head!” at her own dark alter ego. Later, atop a gondola moving across the stage, she slipped into a haunting version of “Shallow”, invoking imagery from Phantom of the Opera in both style and mood.

Of course, Gaga didn’t ignore her catalog of crowd favorites. “Just Dance,” “Paparazzi,” and “Poker Face”—all from her debut album The Fame—were met with deafening roars from the audience. Notably, the set leaned into nostalgia while still carving space for the aggressive new material from Mayhem.

The emotional peak of the night arrived midway through, when Gaga launched into her LGBTQ anthem, “Born This Way.” Her delivery was fierce and militant, underscoring the song’s political relevance in today’s tense social climate. Before diving into the track, she raised her voice and asked,

“Are you ready to celebrate your freedom? This one belongs to you.”

Her fans responded with unrelenting energy.

For much of the performance, Gaga remained within her crafted world, rarely speaking outside the confines of her alter egos or scripted moments. But that spell broke gently toward the end of the night, when she sat at a piano and shared an unscripted moment with the San Francisco crowd.

With emotion, she recounted her early days performing in the city’s club circuit.

“I was touring the world, doing clubs all over … doing three or four shows a night, not sleeping,” Gaga said, pausing between thoughts.
“And some places that I went, they just didn’t understand me. They loved the songs, but they were like, ‘She’s interesting.’”

Then, her voice softened:

“But not here. When I came here to San Francisco, I was accepted and I was embraced. I was upheld by this community with so much dignity and so much pride.”

She continued,

“Thank you for all the dignity that you showed me. You made me feel not alone … thank you for taking care of me, San Francisco.”

That gratitude extended beyond her own career. Gaga went on to acknowledge the city’s connection to late crooner Tony Bennett, her longtime friend and collaborator.

“And another thing,” she added, “thank you for taking care of Tony Bennett.”

The audience erupted in cheers, honoring both Gaga’s sentiment and the legacy of one of San Francisco’s musical treasures.

But the night held one final emotional beat. Just hours before the show, news broke that heavy metal legend Ozzy Osbourne had died. Gaga, whose performance leaned heavily into ‘80s metal aesthetics, paid homage in her own way.

During the encore, she brought fans backstage via live video. At her mirror, still removing makeup and surrounded by dancers, Gaga slipped on a vintage Ozzy T-shirt and softly began singing “How Bad Do U Want Me.” She hugged her team, then returned to the stage, this time more raw and unfiltered.

As the lights dimmed and the crowd reached its final crescendo, Gaga took her last bows to the roaring guitars of Osbourne’s “Crazy Train.” The tribute felt fitting—two icons of spectacle, rebellion, and sonic force meeting in spirit, if not in time.

Lady Gaga’s Mayhem Ball isn’t just a tour—it’s a declaration. It’s a carefully sculpted collision of music, memory, mythology, and movement. In cities like San Francisco, where her roots run deep and her message resonates loud, the spectacle lands with particular weight.

The Mayhem Ball continues its run with additional sold-out dates, promising more nights where pop becomes opera, and the stage becomes a battlefield for the soul.

Lady Gaga’s Mayhem Ball is more than just a concert—it’s a visceral, genre-bending narrative where theater, pop, and emotion collide. From gothic grandeur and operatic flourishes to unapologetic anthems of identity and freedom, the show reinforces Gaga’s position as a fearless performer who doesn’t just entertain—she challenges, transforms, and connects. Her heartfelt tribute to San Francisco and poignant nod to legends like Tony Bennett and Ozzy Osbourne only deepened the night’s resonance. As the final notes echoed through the Chase Center, one thing was clear: Gaga didn’t just put on a show—she created a legacy moment.

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Cierra Ortega Crashes Out of Love Island as Gen Z Faces Digital Reckoning

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The newest season of Love Island USA has plunged into unforeseen turbulence as Gen Z contestants face abrupt exits over resurfaced racial slur controversies. Cierra Ortega and Yulissa Escobar, both young influencers, departed the villa following the online revival of past offensive remarks. With digital footprints turning into live scandals, the reality show now grapples with the growing impact of social media scrutiny, public accountability, and cultural sensitivity. As audiences question the line between fame and fallout, the season unfolds not as a love story—but as a digital reckoning in real-time.

STORY HIGHLIGHTS

  • Cierra Ortega, 25, left “Love Island USA” after older social media posts surfaced showing the use of an anti-Asian racial slur.

  • Yulissa Escobar was removed earlier in the season over a resurfaced podcast clip where she used similar language.

  • Both cases expose the long shadow of Gen Z’s digital past in an era of growing social accountability.

  • Viewers and experts are calling attention to anti-Asian hate, reality TV ethics, and the psychological weight of online backlash.

  • Critics urge producers to consider casting non-influencer “regular” contestants in future seasons.

In a season meant to be about summer romance, villa drama, and social experiments in love, “Love Island USA” Season 7 has taken a sharp detour into the darker corners of internet history. Two contestants—both members of Gen Z and both tied to influencer culture—have exited the show under intense scrutiny after past social media posts involving racial slurs resurfaced. What was once a guilty pleasure reality show is now at the center of a broader cultural reckoning.

When Romance Meets Reckoning

It was supposed to be about love. But just days into the new season, the tone shifted sharply as past content from contestant Cierra Ortega, a 25-year-old digital creator, made its way into the spotlight. In an Instagram post dating back to 2015, Ortega used a racial slur that references the eyes of Asian people—a term rooted in deep historical prejudice. Another image, alleged to be from as recently as 2023, appeared to show similar language. As the outrage swelled online, Ortega exited the show, citing personal reasons.

Shortly before Ortega’s departure, fellow contestant Yulissa Escobar had already been removed from the villa. Escobar’s exit came after resurfaced podcast footage revealed her using a racial slur. The similarities between the two situations have prompted intense public discussion not only about accountability, but also about the specific vulnerabilities of Gen Z’s digital presence.

Old Posts, New Consequences

In the past, reality TV participants may have had the privilege of privacy—or at least a less connected audience. That is no longer the case. With the rise of TikTok, Reddit, and fan-driven sleuth accounts, past social media content is uncovered and dissected with clinical precision. Audiences are more informed, more vocal, and more ready to act.

These aren’t just casual viewers anymore. Many invest deeply in the characters presented to them on-screen. As media psychologist Pamela Rutledge notes, “It’s much easier for people who watch it regularly to connect with these characters and start to invest in them.”

The intimacy created by the “unfiltered” format of reality television can backfire when offensive behavior comes to light. “Audiences feel betrayed,” says communication professor Elizabeth Perse, explaining that parasocial relationships—emotional bonds formed with public figures—intensify the backlash when contestants fall short of public expectations.

Beyond the Villa: The Weight of Digital Surveillance

Ortega and Escobar’s exits also mark a critical turning point for the show’s producers. For years, they’ve controlled how each contestant is portrayed, selectively editing scenes to tell the story they want viewers to see. But in the digital age, that control has eroded. When controversy emerges, online platforms like TikTok and X (formerly Twitter) take over the narrative, and the drama becomes both decentralized and amplified.

Viewers are no longer passive. The power of the algorithm allows individual voices, outrage, and evidence to gain massive traction. The producers’ inability to contain such narratives is glaring, as social media creates a parallel storyline that impacts both the contestants and the show’s reputation.

A Moment for Reflection on Anti-Asian Hate

While the drama may have started inside a luxury villa, the broader impact of the controversy has spilled out into important social conversations—especially surrounding anti-Asian hate.

“Anytime you say these horrible things like Cierra did on her Instagram story, it really does hurt,” said one Asian American content creator on TikTok, joining a wave of educators, influencers, and everyday users trying to use the moment to inform.

Another user commented in a video that now has over 8 million views: “Cierra from ‘Love Island’ got Botox to make her eyes look less like my eyes. Imagine being in a world where you don’t see people with your eye shape in media, and instead, you see people getting surgery to erase it.”

Even inside the “Love Island” circle, responses were pointed. Bella-A Walker, an Asian American contestant who was previously dumped from the villa, publicly unfollowed Ortega and praised producers for their handling of the situation.

“Asian hate is oftentimes overlooked and dismissed,” Walker wrote in an Instagram story. “Being a first-generation American, I’ve personally witnessed and experienced how real and hurtful comments like these are. I hope this situation sheds light on how big of an issue anti-Asian hate really is.”

Mental Health vs. Mob Mentality

While many applauded the accountability, others raised concern about the human cost of cancel culture. Escobar herself posted a TikTok on July 7, expressing deep worry for Ortega’s mental health, recalling her own experience with backlash.

“Looking at those messages I was getting, I was honestly scared to come home,” Escobar said. “I was like, is something going to happen to me? It was just a lot to take in, and even my family was worried.”

On July 6, Ortega’s family addressed the matter on her Instagram story, requesting space and urging the public to allow her to take responsibility without facing harassment. “The attacks on her family, her friends, even her supporters have been heartbreaking and uncalled for,” they wrote.

What Comes Next? A Call for Change

The fallout from Ortega’s and Escobar’s exits leaves the show—and the reality TV industry at large—at a crossroads. Many fans are now calling for a shift in casting. The influencer-heavy approach that fills villas with social media-savvy contestants may be more trouble than it’s worth.

Casting contestants with less curated, less controversial digital pasts—perhaps those not already online personalities—could be a step toward preserving the core values of the show: connection, growth, and real-life drama, not digitally induced scandals.

In a world where digital footprints follow you everywhere, “Love Island USA” Season 7 may be remembered not for its romantic twists, but for its cautionary tale on the permanence of what we post—and how far the ripples can travel.

As Love Island USA navigates a season riddled with controversy, the sudden departures of Cierra Ortega and Yulissa Escobar illuminate the growing weight of digital accountability in modern fame. With Gen Z contestants under relentless online scrutiny, the boundary between entertainment and ethics becomes increasingly fragile. In a culture where past words echo louder than present apologies, reality TV can no longer escape the influence of real-time public judgment. Whether this signals a cultural shift or a casting crisis, one truth remains—digital history never forgets, even when the cameras do.

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Superman Reboot Gets Political as Director James Gunn Targets Morality and Kindness

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In a surprising twist to the superhero genre, Superman is set to return not just with capes and courage, but with politics and powerful questions. Director James Gunn has unveiled that the upcoming film will explore Superman as more than a savior — portraying him as an immigrant symbolizing the soul of America. With David Corenswet as the new Clark Kent and Rachel Brosnahan as Lois Lane, this reboot promises not just action, but a moral tug-of-war rooted in kindness, division, and a world struggling to hold on to hope.

🔹 STORY HIGHLIGHTS

  • James Gunn frames Superman as a story of immigration and lost kindness

  • Movie will explore both political and moral conflicts

  • Release date set for July 11, 2025

  • David Corenswet to play Superman, Rachel Brosnahan as Lois Lane

  • Film marks a reboot and start of a new DC universe

  • Superman’s values to be tested in a more divided modern world

The caped symbol of hope is set to soar again — but this time, into more complex skies. Director James Gunn, the visionary behind DC’s upcoming Superman film, has revealed that the story will tread deeply into political and moral territories, reshaping how audiences may see the Man of Steel in a world that is, arguably, more divided than ever.

In an exclusive conversation with The Sunday Times, Gunn didn’t shy away from the bold direction he’s taking with the superhero’s legacy. For him, Superman’s journey is more than just about flight, strength, and saving the day — it’s about what he represents at a cultural and human level.

“Superman is the story of America,” said Gunn.
“An immigrant that came from other places and populated the country.”

The director’s words reflect a broader metaphor — one rooted in the immigrant experience, foundational to America’s identity. Originally created in 1938 by Jerry Siegel and Joe Shuster, Superman has long been seen as a figure born out of hope, courage, and moral clarity. In Gunn’s version, those values are being re-examined through the lens of present-day realities — where kindness, morality, and division often clash in public discourse.

“But for me,” Gunn continued,
“It is mostly a story that says basic human kindness is a value and is something we have lost.”

The film, set to be released on July 11, 2025, marks a reboot of Zack Snyder’s Man of Steel (2013), which introduced a darker version of the Kryptonian hero. This new installment not only restarts Superman’s story but also acts as the launching point for a reimagined DC cinematic universe.

David Corenswet steps into the blue suit as Superman, bringing a fresh face to the legendary role. Rachel Brosnahan, best known for The Marvelous Mrs. Maisel, will take on the role of the sharp, fearless journalist Lois Lane. Their dynamic, as Gunn hints, will serve as a powerful counterpoint in the film’s core thematic tension.

When asked whether he considered how the film’s themes might resonate differently across various regions of the country — especially between progressive urban areas like New York (the real-world inspiration for Metropolis) and the more conservative, rural settings like Superman’s fictional hometown in Kansas — Gunn admitted the disparity is real and intentional.

“Yes, it plays differently,” he said.

“It’s about human kindness. And obviously, there will be jerks out there who are just not kind and will take it as offensive just because it is about kindness. But screw them.”

This raw response reveals Gunn’s commitment to telling a story that doesn’t shy away from uncomfortable truths. While superhero films often aim for universal appeal, Superman appears to be leaning into the cracks that make that universality so fragile.

For Gunn, the political layers are only one aspect of a much larger moral exploration. At its heart, the film revolves around choices — and the consequences of those choices — especially when moral codes conflict.

“Yes, it’s about politics,” he admitted.
“But on another level, it’s about morality.”

The core dilemma, he explained, is framed through the differing beliefs of Superman and Lois. One represents an unwavering moral stance; the other, a more pragmatic worldview.

“Do you never kill no matter what — which is what Superman believes — or do you have some balance, as Lois believes?” Gunn explained.
“It’s really about their relationship and how differing moral perspectives can pull two people apart.”

This exploration of ethics over action, and conversation over conflict, sets a new tone for Superman’s role in pop culture. In a cinematic landscape often driven by spectacle, Gunn’s approach suggests that this Superman may leave viewers reflecting on more than just explosions and flying punches.

As fans await the film’s release, one thing is clear: the Man of Steel is returning — but this time, with questions as heavy as the world he once effortlessly carried.

As James Gunn reshapes the Superman legacy, the upcoming reboot stands as more than just another chapter in a superhero saga — it becomes a cinematic reflection of modern society’s moral and political fractures. By intertwining themes of immigration, kindness, and conflicting values, the film dares to ask difficult questions through the lens of an iconic figure. Whether embraced or criticized, this new take on Superman is poised to challenge, provoke, and perhaps even inspire — reminding audiences that even the strongest heroes grapple with the weight of the world.

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Glen Powell Breaks Free in Edgar Wright’s Explosive Take on The Running Man

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In a world obsessed with spectacle, The Running Man returns — this time sharper, darker, and dangerously thrilling. With Glen Powell stepping into the spotlight, Running Man 2025 brings back the deadly game where survival is sold as entertainment. Directed by Edgar Wright and backed by Paramount Pictures, the film dives into a twisted future where life, death, and ratings collide. With a chilling plot, gripping cast, and bold storytelling, this new version dares to question how far we’ll go for a show — and who pays the price.

STORY HIGHLIGHTS

  • The Running Man 2025 stars Glen Powell as Ben Richards, a contestant fighting to survive in a dystopian game show.

  • Directed by Edgar Wright, known for stylized thrillers.

  • Josh Brolin plays the ruthless producer Dan Killian.

  • Based on the original Stephen King novel and reimagined from the 1987 film.

  • Set for theatrical release on November 7 by Paramount Pictures.

  • Supporting cast includes Colman Domingo, Katy O’Brian, Lee Pace, and Michael Cera.

  • Script by Wright and Michael Bacall (Scott Pilgrim vs. The World).

In a time when reboots and remakes dominate studio slates, director Edgar Wright is taking a bold leap with The Running Man, a reimagining of the dystopian thriller based on Stephen King’s 1982 novel. Slated for release on November 7 by Paramount Pictures, this fresh take — Running Man 2025 — reintroduces audiences to a future where entertainment and violence blur beyond recognition. Leading the charge is actor Glen Powell, continuing his rise as a major Hollywood presence following notable turns in Hit Man, Anyone but You, and Twisters.

A Deadly Game Revisited

Originally brought to the big screen in 1987 with Arnold Schwarzenegger in the lead, The Running Man returns with a sharper focus on the terrifying relevance of surveillance culture and mass media obsession. In this updated version, society has turned brutality into primetime content. “Runners,” or chosen participants, must evade execution for 30 consecutive days. As they dodge assassins, their every move is broadcast live, feeding the public’s insatiable hunger for spectacle.

At the heart of the chaos is Ben Richards, played by Glen Powell, a desperate father from the working class. His motivation is not fame or fortune, but the health of his gravely ill daughter. It’s that urgency which convinces him to participate in the televised death game, orchestrated by a charming but cutthroat producer named Dan Killian, portrayed by Josh Brolin.

“He’s Not Just Running—He’s Fighting the System”

The film’s official synopsis describes Ben’s journey as one of unexpected defiance. As Richards runs for his life, his resilience, instincts, and refusal to break make him more than a contestant. He becomes a symbol. Viewers rally behind him, ratings soar, and what started as one man’s survival becomes a national spectacle.

But fame comes at a cost. The greater his popularity, the greater the danger. Hunters close in, and the stakes rise from mere survival to revolution.

Edgar Wright at the Helm

Edgar Wright, acclaimed for his stylized storytelling in Last Night in Soho and Baby Driver, returns to the director’s chair to helm Running Man 2025. His dynamic vision, combined with thematic depth, brings new energy to the material. Known for his rhythmic pacing and sharp visual language, Wright promises a version of The Running Man that feels both classic and contemporary.

Wright also co-wrote the screenplay alongside Michael Bacall, whose previous credits include the genre-bending Scott Pilgrim vs. The World, the comedic 21 Jump Street, and the wild party drama Project X. Their collaboration suggests a tone that will blend edge, emotion, and electric action.

A Cast That Packs a Punch

Alongside Glen Powell and Josh Brolin, the ensemble cast of Running Man 2025 features names that promise strong performances:

  • Colman Domingo (Sing Sing) takes on the role of the slick and theatrical game show host, Bobby Thompson.

  • Katy O’Brian (Love Lies Bleeding) appears as a fellow contestant, caught in the same brutal game.

  • Lee Pace (Guardians of the Galaxy) plays Evan McCone, a relentless hunter tasked with tracking Ben.

  • Michael Cera plays Bradley, a mysterious rebel figure who lends unexpected aid to Richards.

Together, this cast represents a wide spectrum of perspectives inside the deadly world of The Running Man — from those controlling the game to those determined to escape it.

The Legacy of “The Running Man”

This modern take comes more than three decades after the 1987 cult film adaptation. While the original leaned heavily into action and spectacle, Running Man 2025 seeks to deepen the emotional and societal resonance of the story. Stephen King’s novel, written under the pseudonym Richard Bachman, has always held a grim mirror to the dangers of entertainment-driven politics and public desensitization. Wright’s version appears poised to double down on those themes for today’s audience.

As Running Man 2025 prepares to hit theaters, it brings with it questions about power, control, and the price of mass entertainment. For Glen Powell, it’s a career-defining role. For audiences, it’s a chilling reminder that sometimes the most dangerous games are the ones we choose to watch.

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‘Home’ Video Drops After Shocking Dallas Bridge Takeover

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In a dramatic turn of artistry and urban spectacle, the official music video for Home — the much-discussed collaboration between Dallas rapper BigXthaPlug and country-rap sensation Shaboozey — premieres today. Just ten days after the duo stirred headlines by halting traffic on Dallas’ Margaret Hunt Hill Bridge for a bold evening shoot, the video now arrives with visual finesse and sonic strength. Though the final cut omits the now-viral bridge footage, it captures the same energy — turning city streets into a stage and blending two powerful sounds into one vivid story.

🔹 STORY HIGHLIGHTS

  • Home music video by BigXthaPlug and Shaboozey debuts today

  • Recent shoot caused temporary shutdown of the Margaret Hunt Hill Bridge

  • Bridge transformed into a visual stage during evening rush hour

  • Final video excludes bridge footage but features same song

  • Visuals spotlight Dallas streets and the city’s layered cultural identity

  • Project blends hip-hop and country-rap, marking a bold regional collaboration

Just ten days after raising eyebrows and briefly bringing traffic to a standstill on one of Dallas’ busiest thoroughfares, the long-awaited music video for Home — a genre-blending collaboration between local rap heavyweight BigXthaPlug and rising country-rap star Shaboozey — officially drops today. With anticipation simmering since the now-infamous bridge incident, fans and onlookers alike can finally witness the result of a rollout that began with a bold, headline-making visual stunt.

On the evening of the shoot, as rush hour commuters found themselves unexpectedly rerouted, the towering arches of the Margaret Hunt Hill Bridge served as a surreal stage. Against the sweeping backdrop of the Dallas skyline, cameras rolled while the two artists took command of the city’s concrete arteries — an unmissable sight that quickly made waves on social media. It wasn’t long before speculation grew around what exactly was being filmed, with locals guessing everything from a documentary to a political statement.

Now, that moment ties back to the larger artistic vision. While the final cut of the music video released today does not include footage from the actual bridge shoot, it carries forward the spirit of that moment — one that blurred the lines between urban life and artistic expression. The song Home itself has already been creating buzz across platforms, and its accompanying video continues the theme of reclaiming public spaces for storytelling and cultural dialogue.

Visually, the production showcases cinematic elements woven through familiar corners of Dallas, reinforcing a grounded yet ambitious tone. The collaboration brings together two distinct voices and styles: BigXthaPlug’s gritty Southern flow and Shaboozey’s melodic country-rap hybrid. Their shared energy creates a track that doesn’t just echo across genres — it resonates across streets.

At a time when music videos often favor polished studio sets or distant backdrops, Home returns the lens to a city that isn’t just featured but embodied. It’s not just about aesthetic choices — it’s about place, presence, and power. Even without the bridge scene in the final cut, its impact lingers as a moment where art met infrastructure in a way that only a city like Dallas could host.

The release of Home marks more than just a musical milestone — it reflects how sound and spectacle can collide to capture public attention. What began as a traffic-halting shoot has culminated in a powerful visual statement rooted in city identity and artistic ambition. Though the bridge scene remains off-screen, its impact lingers, fueling curiosity and adding momentum to a track already echoing through Dallas and beyond. As the music video now finds its audience, Home stands as a striking reminder of how boldly artists continue to reshape the urban rhythm.

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Stevie Nicks Brings Her Solo Spell to NYC and Jersey—Tickets Now in Play

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Music legend Stevie Nicks is set to dazzle fans with her solo tour in 2025, featuring two rare performances in the tri-state area—on August 8 at Brooklyn’s Barclays Center and October 18 in Atlantic City. Tickets are live on Ticketmaster and major resale platforms, with prices starting at $178. The tour begins in New York and ends in Hartford on October 25. Following the cancellation of her joint tour with Billy Joel, Nicks now takes center stage alone, promising unforgettable evenings of timeless sound.

STORY HIGHLIGHTS:

  • Confirmed Dates in Tri-State:
    Aug. 8 – Barclays Center, Brooklyn, N.Y.
    Oct. 18 – Atlantic City, N.J.

  • Tickets On Sale Now:
    Primary sales through Ticketmaster
    Resale options on StubHub, Vivid Seats, SeatGeek, TicketNetwork, Viagogo

  • Discount Alert:
    First-time Vivid Seats customers can get $20 off ticket orders over $200 using code NJ20

  • Starting Prices (Before Fees):
    $178 for Brooklyn show (Viagogo)
    $214 for Atlantic City show (Viagogo)

  • Tour Timeline:
    Launches Aug. 8 in Brooklyn
    Ends Oct. 25 in Hartford, Conn.

  • Billy Joel Collab Canceled:
    Initially planned joint tour with Billy Joel scrapped due to his health diagnosis

Fans of Stevie Nicks, the legendary Fleetwood Mac frontwoman known for her ethereal voice and mystical stage presence, have reason to celebrate—she’s officially headed back to the stage later this year, and two of her stops are right here in the tri-state area. With only a handful of solo performances scheduled across the country, Nicks is set to bring her signature magic to the Barclays Center in Brooklyn on August 8 and then again to Atlantic City on October 18.

For longtime followers of her music and newcomers drawn to the timeless power of hits like “Gypsy” and “Dreams,” these performances mark a rare chance to see the rock legend live. After decades of captivating audiences around the world, Stevie Nicks continues to tour selectively—making these shows all the more significant for fans in and around New York and New Jersey.

While general tickets are available through Ticketmaster, fans who missed out on the early wave needn’t worry—resale platforms like StubHub, SeatGeek, Vivid Seats, TicketNetwork, and Viagogo are currently offering seats, though prices vary by location and availability. As of now, the lowest prices found on Viagogo are $178 for the Brooklyn performance and $214 for the Atlantic City show. These figures exclude processing and service fees.

For budget-conscious fans, there’s a small silver lining—Vivid Seats is offering a discount for first-time buyers. Any order exceeding $200 qualifies for a $20 deduction using the code NJ20 at checkout. Considering ticket prices, that promo could come in handy.

The tour itself is relatively compact, spanning from early August through late October, with a final show scheduled in Hartford, Connecticut on October 25. That tight schedule makes each stop feel like an event rather than just another concert. It’s worth noting that this solo tour was not always the plan. Nicks was originally slated to tour with Billy Joel in a much-anticipated co-headlining stadium series. However, following Joel’s diagnosis with normal pressure hydrocephalus, all collaborative dates were canceled, leaving Nicks to proceed with her solo run.

Aside from Stevie Nicks, the Barclays Center is bracing for a loaded 2025 calendar with several major artists preparing to take the stage. Among the high-profile names are Tyler, The Creator, Linkin Park, Ken Carson, and Eric Church—each set to deliver performances that span genres and generations.

For now, though, it’s Stevie Nicks who’s drawing the spotlight, with her Brooklyn and Atlantic City shows likely to become two of the most anticipated live music events in the region this year. Whether you’re a seasoned fan or a newcomer lured by the legend, this tour offers a chance to experience one of rock’s most iconic voices live—mystical, raw, and still unapologetically Stevie.

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Dalyce Curry, 95, perished in the Eaton Fire that ravaged Altadena, CA

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A life touched by the shimmer of old Hollywood came to a quiet, tragic end as 95-year-old Dalyce Curry — known to loved ones as “Momma Dee” — perished in the deadly Eaton Fire that tore through Altadena. Once a graceful extra in films like The Ten Commandments and Lady Sings the Blues, Curry’s vibrant past vanished in flames, along with cherished family mementos. Her story blends glamour, grit, and grief — and leaves behind one untouched relic: a vintage Cadillac that somehow survived where nothing else did.

STORY HIGHLIGHTS

  • Dalyce Curry, 95, perished in the Eaton Fire that ravaged Altadena, CA

  • Known as “Momma Dee,” she was admired for her style, resilience, and spirit

  • Appeared in The Ten Commandments, Lady Sings the Blues, The Blues Brothers

  • Mentored by Madame Sul-Te-Wan, the first Black woman to sign a film contract

  • Was dropped off at home hours before fire reached her neighborhood

  • Her home and all belongings were lost, except for her vintage 1981 Cadillac

  • Remembered for her positivity: “Nothing is as bad as it seems, even at its worst”

To her family and those who knew her, Dalyce Curry was not simply a grandmother or a neighbor — she was “Momma Dee,” a vibrant soul who lived her 95 years with flair, elegance, and quiet determination. When fire swept through Altadena last week during the devastating Eaton Fire, it took with it not just a home, but nearly a century of living history.

Born in 1929 in Little Rock, Arkansas, Curry was a product of her time and also far ahead of it. From the start, she carried a personality far too large for the narrow expectations often placed on Black women in early 20th-century America. As her granddaughter and namesake Dalyce Kelley put it, “My grandmother still wore her big hair, glasses, nails, painted makeup. She was just fabulous, period.” And that fabulousness, it seems, never dimmed.

Drawn by dreams of the entertainment world, Curry eventually settled in Los Angeles, where she pursued opportunities in Hollywood—not as a headliner, but as someone who lived in the proximity of its magic. She backed up jazz legend Pearl Bailey on stage, danced as an extra in Cecil B. DeMille’s epic The Ten Commandments, and appeared alongside Diana Ross in Lady Sings the Blues. Her granddaughter recalls her grandmother’s pride in every small appearance. “It was a small part, but we were big proud,” Kelley said.

Perhaps more important than her film credits was the mentorship Curry received early in her Los Angeles journey. At a beauty salon in the 1950s, she met Nellie Crawford—known professionally as Madame Sul-Te-Wan—the first Black woman to sign a contract with a U.S. film studio. Crawford, seeing a spark in Curry, took her under her wing and proclaimed her a “goddaughter.” From that moment, Curry’s place in the fringes of Hollywood history was sealed.

But life was never only about the stage. In her later years, Curry trained and worked as a nurse, offering care to patients in convalescent homes and private households across Los Angeles. She chose to use her maiden name professionally, carrying a piece of her identity into every chapter of her life. She raised one son and later became the beloved matriarch to a family that included seven grandchildren and many great-grandchildren.

Her final hours came quietly but tragically. On the night of her death, she had just returned from a hospital visit after experiencing dizziness. Kelley drove her home around 11:30 p.m., and while flames from the Eaton Fire glowed in the distance, the power in her neighborhood was on, and there were no warnings to evacuate. Kelley, trusting that all was calm, dropped her grandmother off and promised to check in.

Hours later, that sense of calm was shattered. A flurry of messages on the neighborhood text chain began flooding Kelley’s phone around 5:30 a.m., asking if her grandmother had gotten out safely. Rushing back to Altadena, Kelley found roads blocked by police and learned from officers that her grandmother’s cottage had burned to the ground.

The next few days were agonizing. Kelley searched through shelters, hoping for news. Four days later, the Los Angeles Coroner’s Office confirmed the worst: Curry was one of at least 25 victims who perished in the fire.

Among the ashes, almost nothing remained. Generations of family photographs, mementos, letters, and keepsakes were all destroyed. But one object survived untouched: a midnight blue 1981 Cadillac Fleetwood Brougham. The car hadn’t run in years, but Curry had cherished it. She often spoke of fixing it up and renting it out to film productions seeking authentic 1980s props. In a strange twist of fate, that dream still sits quietly intact.

Kelley says her grandmother’s spirit endures—not only in family memories but in the example she left behind. “She had this light, this strength,” Kelley said. “And she always told us, ‘Nothing is as bad as it seems, even at its worst.’”

It’s a mantra that resonates especially now, as families across Southern California mourn loved ones and face the monumental task of rebuilding. For Kelley and her family, the loss is personal, but the message remains universal.

Dalyce Curry’s life was a quiet testament to perseverance, grace, and untold stories behind Hollywood’s golden lights. Though she never headlined a marquee, her journey through film, music, and caregiving reflected a deep strength and vivid character. Her tragic death in the Eaton Fire is a stark reminder of the unpredictable force of nature—and the fragile threads that tie us to our past. As her family mourns, the memory of “Momma Dee” lives on, not in fame, but in the quiet.

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“A Bit of a Mess”: Dakota Johnson Blames Non-Creatives for Hollywood’s Fall

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Dakota Johnson Slams Hollywood’s Creative Crisis Over Remakes and Studio Control

Hollywood’s glamorous surface is now facing serious questions from within. Actress Dakota Johnson, known for her fearless candor, has openly criticized the film industry’s growing reliance on remakes and committee-driven decisions. While promoting her new film Materialists, Johnson addressed the industry’s creative decline, expressing concern over non-artistic influences and data-led filmmaking. Speaking on the show Hot Ones, she revealed how such interference affected the outcome of Madame Web, her 2024 superhero film. Her bold remarks offer a striking glimpse into Hollywood’s troubled artistic core.

STORY HIGHLIGHTS

  • Dakota Johnson says Hollywood is driven by non-creative committees who don’t understand film.

  • Blames remake culture for the lack of originality and fresh storytelling.

  • Opens up about the critical and commercial failure of “Madame Web.”

  • Criticizes decision-making driven by numbers, data, and algorithms.

  • Says audience intelligence is underestimated by today’s film executives.

Hollywood’s glossy surface has long masked internal creative tensions, but actress Dakota Johnson is pulling back the curtain. During a recent promotional appearance for her new film Materialists on the popular YouTube series Hot Ones, Johnson spoke candidly about the deep-rooted problems she sees in the current film industry. Her remarks painted a picture of an industry increasingly dominated by decision-makers who, in her view, are disconnected from the artistic essence of cinema.

While taking on spicy wings and tougher questions, host Sean Evans asked Johnson why Hollywood seems to be more risk-averse than ever before. Her answer wasn’t diplomatic—it was deliberate.

“I think it’s hard when creative decisions are made by committee and it’s hard when creative decisions are made by people who don’t even really watch movies or know anything about them,” Johnson said, addressing what she sees as a widening gap between creative minds and the business executives who control project development. “And that tends to be what’s occurring a lot.”

Her concern over the current state of filmmaking didn’t end there. Johnson also criticized the industry’s dependence on formulaic remakes and reboots, a trend that has saturated the box office with familiar stories while sidelining original content.

“When something does well, studios want to keep that going so they remake the same things,” she explained. “But humans don’t want that. They want fresh, they want to feel new things, experience new things, see new things. So I don’t know, I guess it’s all just a bit of a mess right now, isn’t it?”

Johnson’s comments are not entirely new, but they are growing sharper. Over the past year, she has become increasingly outspoken about her own experiences working on big-budget films—particularly Madame Web, a 2024 Sony-Marvel comic book movie in which she played Cassandra Webb, a paramedic who develops psychic abilities after a near-death experience.

The film flopped both critically and commercially, taking in a disappointing $43 million at the domestic box office and receiving just an 11% rating on Rotten Tomatoes. Johnson didn’t sugarcoat the fallout.

“I tried and failed to be a superhero,” she said on Hot Ones, alluding to the film’s dismal reception.

In an earlier interview with the Los Angeles Times, Johnson clarified her role in the troubled production. “It wasn’t my fault,” she said. “There’s this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don’t have a creative bone in their body. And it’s really hard to make art that way. Or to make something entertaining that way.”

She went on to reveal that the project veered off-course from its original vision. “I think unfortunately with ‘Madame Web,’ it started out as something and turned into something else,” she said. “And I was just sort of along for the ride at that point. But that happens. Bigger budget movies fail all the time.”

This wasn’t the first time Johnson addressed the disconnect between creative integrity and commercial expectations. In a 2023 interview with Bustle, she underscored her belief that data-driven filmmaking is doing more harm than good.

“You cannot make art based on numbers and algorithms,” Johnson remarked. “My feeling has been for a long time that audiences are extremely smart, and executives have started to believe that they’re not. Audiences will always be able to sniff out bullshit.”

Her statements echo a growing sentiment within the creative community—one that questions the increasing influence of market analysts, trend predictors, and streaming algorithms in shaping the movies people see. For Johnson, this trend not only compromises storytelling but also underestimates the very people films are made for.

As studios continue to invest in safe bets and established franchises, Johnson’s criticisms strike at the heart of a larger cultural debate: What happens to art when its direction is driven less by vision and more by spreadsheets?

With her voice growing louder, Johnson appears committed to advocating for an industry that trusts artists and respects audiences. Whether Hollywood is ready to listen remains to be seen.

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Report Links Conner Smith to Tragic Nashville Crosswalk Death

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In a striking and sorrowful development from Nashville, 24-year-old country music singer Conner Smith has been reportedly linked to a fatal road accident that claimed the life of 77-year-old pedestrian Dorothy Dobbins. The elderly woman was struck while crossing a marked crosswalk on 3rd Avenue North, as reported by TMZ and confirmed by local authorities. With no charges filed and no signs of impairment from the driver, the incident remains under investigation, stirring both public concern and curiosity around the unfolding truth behind this tragic evening.

STORY HIGHLIGHTS

  • Victim: 77-year-old Dorothy Dobbins, struck while walking in a marked crosswalk

  • Location: 3rd Avenue North near Van Buren Street, Nashville

  • Time of Incident: Around 7:30 p.m., Sunday

  • Driver Reportedly Identified: 24-year-old country music singer Conner Smith (source: TMZ)

  • Police Report: No signs of impairment; driver remained at the scene and cooperated

  • Current Status: No charges filed; investigation ongoing

A quiet Sunday evening in downtown Nashville took a tragic turn that has since captured both public attention and media spotlight. A 77-year-old woman, Dorothy Dobbins lost her life after being struck by a pickup truck while crossing the street near her home in downtown Nashville. The incident took place around 7:30 p.m. Sunday evening on 3rd Avenue North, not far from the intersection with Van Buren Street — a neighbourhood known for its quiet residential corners amid the vibrant backdrop of Music City.

While the Metropolitan Nashville Police Department (MNPD) continues its investigation into the fatal accident, entertainment outlet TMZ has reported that the driver of the vehicle was 24-year-old country music artist Conner Smith. Smith, an emerging voice in the country music scene, has yet to publicly respond to the claims or release an official statement through his representatives.

Dorothy Dobbins was reportedly making her way across the street in a clearly marked pedestrian crosswalk when the collision occurred. Emergency responders arrived promptly and transported her to a nearby hospital. Despite medical efforts, she succumbed to her injuries shortly after. Officials confirmed that she was a local resident familiar with the area, making the incident all the more heartbreaking for those who knew her.

In a statement released by MNPD, authorities confirmed that the driver involved remained at the scene and cooperated fully with investigators. Crucially, they noted that there were no immediate signs of impairment — a detail that could prove significant as the inquiry progresses. As of now, no criminal charges have been filed, and investigators are working to piece together the exact sequence of events that led to the fatality.

The report from TMZ identifying Smith as the driver has added a layer of public scrutiny to the case, given his growing presence in the country music industry. Smith, known for his heartfelt lyrics and youthful charisma, has been steadily rising in popularity, with recent performances and recordings gaining national attention. However, this incident casts a sudden shadow over the singer’s budding career, even as the legal process remains in the early stages.

It remains to be seen how the case will unfold in the coming days. For now, the focus is on the loss of a community member — a woman remembered as kind and active, whose life was cut short in a moment that has left many with more questions than answers.

Though Conner Smith has not spoken publicly, the weight of the situation now hangs heavy in both the media and the music industry. Whether or not legal consequences will follow remains to be seen. What is certain, however, is that a life has been lost — and a quiet corner of Nashville has been marked by tragedy.

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