Tag Archives: Broadway stars

Darius de Haas

Darius de Haas Brings Broadway Magic and Jazz Classics to Philadelphia Cabaret

Philadelphia is set to welcome award-winning vocalist Darius de Haas for a one-night-only performance at Broadway Cabaret, held at the Rittenhouse Grill in the Warwick Hotel on October 20. Fans can expect an intimate evening blending Broadway standards, jazz classics, and personal storytelling from one of the most versatile voices in popular music today.

Story Highlights:

  • Darius de Haas performs at Broadway Cabaret, Rittenhouse Grill, Philadelphia on October 20.

  • The show features Broadway standards, jazz classics, and personal stories.

  • Born into a musical family, de Haas was inspired by jazz legends and family influences.

  • Broadway credits include Kiss of the Spider Woman, Rent, Marie Christine.

  • Television appearances include The Marvelous Mrs. Maisel; toured with Elvis Costello, Roberta Flack, Deborah Harry.

  • Notable performances at Carnegie Hall, London’s Royal Festival Hall, The Kennedy Center, Boston Pops.

  • Founder of Black Theatre United; involved with Fair Housing Justice Center and Covenant House.

  • Latest recording: Let Me Carry You.

Darius de Haas has long been celebrated as a “vocal acrobat,” known for his extraordinary range and versatility. From Broadway stages to concert halls worldwide, he has built a career that spans multiple musical genres.

“I’m looking forward to appearing at the Rittenhouse Grill, which is a sort of swanky throwback to the 1940s cabaret atmosphere,” de Haas says. “The focus is a much more intimate setting where I can get up close to my audience.”

During this special performance, de Haas plans to feature songs by some of the great vocalists who have inspired him over the years. “Artists like Nat ‘King’ Cole, Johnny Mathis, and Sam Cooke have shaped my musical journey,” he explains. “This type of atmosphere allows me to really connect with my audience.”

Born in Chicago, de Haas grew up surrounded by music. His father, jazz bassist Eddie de Haas, mother Geraldine Bey de Haas, aunt Salome Bey, and uncle Andy Bey all contributed to a rich musical environment.

“I was surrounded by music all my life, so I guess you could say it was only natural that it would become a part of me,” de Haas shares. “And I’m so glad it did because today I can honestly say I love what I do.”

From a young age, de Haas knew he wanted to sing and perform on Broadway. “I would see my mother in different shows and then try to reproduce what I heard,” he recalls. “I always knew I wanted to be on Broadway. Taking everything into account, I would say I was blessed with a gift that turned into a lifelong passion.”

To pursue his dreams, de Haas immersed himself in theater, acting, choir, and dance classes while in high school. Afterward, he attended Columbia College in Chicago and later earned a scholarship to the American Musical and Dramatic Academy in New York.

De Haas made his Broadway debut in the original production of Kiss of the Spider Woman and went on to star in productions including Rent, The Gershwins’ Fascinating Rhythm, and Marie Christine. His career spans television, touring with legendary artists such as Elvis Costello, Deborah Harry, and Roberta Flack, and performing at renowned venues like Carnegie Hall, London’s Royal Festival Hall, The Kennedy Center, The National Symphony, and the Boston Pops.

Beyond his performing career, de Haas is deeply committed to social causes. He has worked with The Fair Housing Justice Center and Covenant House and is a founding member of Black Theatre United, an organization supporting Black excellence and combating systemic racism in the entertainment industry.

When he’s not performing or advocating for change, de Haas continues to record music. His latest album, Let Me Carry You, showcases his talent and dedication to his craft.

“I think among my other ‘gifts’ is my patience,” he concludes. “I would urge others seeking to get into this business to adopt the same emotion. Take it slowly — one day at a time — and continue to grow.”

Philadelphia audiences will have the rare opportunity to experience the artistry of Darius de Haas up close. Tickets and more information on the Broadway Cabaret series are available at rittenhousegrill.com.

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Katie Holmes Brings Hedda Gabler to Life at San Diego’s Old Globe Theatre

Katie Holmes is stepping back onto the stage in a major way, taking on the title role in a new adaptation of Henrik Ibsen’s Hedda Gabler. The production will open the Old Globe Theatre’s 2026 season in San Diego, reuniting the actress with the Globe’s artistic director Barry Edelstein. The two previously collaborated in 2023 on the Off-Broadway play The Wanderers.

READ: STORY HIGHLIGHTS

  • Play: Hedda Gabler

  • Venue: Donald and Darlene Shiley Stage, Old Globe Theatre, San Diego

  • Season: 2026

  • Run Dates: Feb. 7 – March 8, 2026

  • Opening Night: Feb. 12, 2026

  • Director: Barry Edelstein

  • Adaptation by: Erin Cressida Wilson

  • Lead Role: Katie Holmes as Hedda Gabler

The upcoming staging will take place on the Donald and Darlene Shiley Stage, part of the Globe’s Conrad Prebys Theatre Center in Balboa Park. Performances begin February 7 and will run through March 8, with the official opening night scheduled for February 12.

The fresh adaptation is penned by Erin Cressida Wilson, the veteran playwright and screenwriter behind films such as Secretary, The Girl on the Train, Chloe, and Snow White. Wilson’s stage credits include Hands, Wilder, Stop All the Clocks, The Erotica Project, Hurricane, and My Girl is in Front.

In this interpretation of Ibsen’s classic, Holmes will portray Hedda, a newlywed who returns from her honeymoon already restless and dissatisfied with her marriage to George Tesman. Bored and craving control, she begins to manipulate those around her — a web of schemes that ultimately threatens her own stability.

“Hedda Gabler is one of the landmark works of world drama,” Edelstein said. “I’m truly thrilled to bring a bracing new take on it to the Globe.” He added that, like all of Ibsen’s plays, the story is “obsessed by how the choices we make in our pasts come back around to shape our present.”

For Edelstein, the project is also a personal reunion. “It’s so fun that it reunites me with two artists I’ve had significant collaborations with over the years,” he noted. “One is playwright and screenwriter Erin Cressida Wilson, who renews this classic through her frank and dynamic voice, with incendiary results. The other is a major figure in American film, TV, and theatre — the wonderful Katie Holmes.”

The director also emphasized the demands of the role: “Hedda, like Hamlet, rises or falls with the actor in the title role. She’s everything: victim, tyrant, femme fatale, funny, scathing, tragic. Only an actor with immense imagination and charisma can take on Hedda Gabler, and in Katie’s radiant and powerful performance, Globe audiences are going to witness something rare and special. She’s an artist at the height of her powers and we’re lucky to have her in San Diego.”

First staged in 1891, Hedda Gabler has been adapted and performed globally, with numerous renowned actors stepping into the role — including Ingrid Bergman, Diana Rigg, Glenda Jackson, Cate Blanchett, Rosamund Pike, and Annette Bening.

Additional casting and creative team details for the Globe production will be announced in the coming months. The show is supported by the Erna Finci Viterbi Artistic Director Fund, along with contributions from the City of San Diego and the Theodor and Audrey Geisel Fund.

Away from the stage, Holmes is directing her own feature film Happy Hours, from a script she wrote. She also stars in the project, alongside Joshua Jackson, Mary-Louise Parker, Constance Wu, and Jack Martin. Holmes is represented by UTA, Untitled Entertainment, and Vision PR.

With Hedda Gabler, the Old Globe Theatre is set to open its 2026 season with a bold artistic statement — blending a classic of world drama with a fresh adaptation and a star-led performance. For Katie Holmes, it marks not only a return to the stage but also an opportunity to tackle one of theatre’s most challenging and layered roles. For San Diego audiences, it promises an interpretation that bridges Ibsen’s timeless themes with a contemporary creative vision, making this production one of the most anticipated events in the city’s upcoming cultural calendar.

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