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San Jose

Spotlight on San Jose: New Ballet Unveils Rotary-Backed Black Box Theatre

A fresh spotlight rises over San José’s cultural stage as New Ballet dedicates its newly upgraded Rotary Club of San José Black Box Theatre inside the historic Mohr Studio. The grand unveiling, set during the much-anticipated Summer Showcase on July 25, 2025, at 1:30 PM, brings dance, design, and digital access under one elegant roof. Backed by the Rotary Club’s vital support, the space now boasts professional lighting and livestream capability—offering a polished platform where talent shines, stories unfold, and ballet meets the future with poise and precision.

STORY HIGHLIGHTS

  • Dedication Event: July 25, 2025 at 1:30 PM

  • Location: Mohr Studio, San José

  • New Title: Rotary Club of San José Black Box Theatre

  • Livestream: Twitch.tv/newballet

  • Funded by: Rotary Club of San José

  • Studio Enhancements: Electrical upgrades, professional-grade lighting, technical installation

  • Goal: Enrich education, expand creative performance space, and boost digital reach

A new chapter begins this summer for the local arts scene in San José as New Ballet prepares to unveil a state-of-the-art performance space—The Rotary Club of San José Black Box Theatre in the Mohr Studio. This significant dedication will take place during New Ballet’s annual Summer Showcase on Friday, July 25, 2025, at 1:30 PM. While only a select group of guests will be present in person, the event will be accessible to the public via livestream at Twitch.tv/newballet, a move that underscores the company’s growing digital footprint.

The Summer Showcase itself is a highlight of the organization’s calendar—an opportunity to spotlight the talents of both professional company members and aspiring young dancers from New Ballet’s summer intensive. The performance includes a blend of choreography and classroom technique, offering audiences a look at the rigorous training and artistic expression that defines the program.

The Mohr Studio, originally named in honor of Gloria Vauges Mohr, pays tribute to a woman who left a lasting legacy in dance. A former New York City Ballet dancer and educator in the Santa Clara region for over five decades, Mohr helped shape the foundation of ballet in the area. The new naming of the black box theatre doesn’t erase that legacy—it builds upon it, introducing modern infrastructure to serve new generations of artists.

Thanks to a major funding initiative by the Rotary Club of San José, the space has undergone extensive renovations. These include new electrical wiring and outlets, professional lighting installations, and the necessary hardware and labor to transform the studio into a functional, intimate theatre environment.

The upgrades are more than cosmetic; they represent a long-term investment in the infrastructure that supports the city’s cultural development.

“New Ballet is extremely grateful to the Rotary Club of San José for this important grant that supports our ability to provide additional opportunities for the San José community to interact with professional ballet,”
— said Dalia Rawson, Founder and Director of New Ballet.

The black box theatre, now equipped with professional lighting and livestreaming capabilities, is expected to benefit not just students but also choreographers and performers looking to experiment and showcase original works in a controlled, professional setting.

“The new black box space broadens New Ballet’s educational programming offerings and creates additional opportunities for artists to create and present new work,”
Rawson added.

“The performance space is set up to offer professional lighting, a vital resource for our company members and upper-division students, as they build their professional choreographic and dance portfolios. Live streaming will also be available… allowing us to reach an almost unlimited audience.”

In a city constantly redefining its relationship with the arts, the Rotary Club’s involvement acts as a bridge between legacy and innovation.

The Rotary Club of San José, founded in 1914, has maintained its status as one of the city’s most active and recognizable service organizations for over a century. Its contributions to both local and international initiatives are vast. To date, the club has logged over 3 million volunteer hours and provided more than $3 million in direct grants to more than 275 nonprofit organizations. Its footprint is woven into the city’s civic and social fabric.

With the unveiling of the black box theatre, New Ballet and the Rotary Club of San José together open new possibilities—not only for dancers and creators—but for a community eager to experience the evolving expression of ballet in modern formats.

The performance, the dedication, and the digital access together mark a turning point—one where tradition meets technology, and investment meets inspiration.

The dedication of the Rotary Club of San José Black Box Theatre marks more than the unveiling of a new performance space—it symbolizes a renewed commitment to artistic growth, education, and community engagement. Through the Rotary Club’s strategic support and New Ballet’s artistic vision, San José gains a vital cultural asset that blends tradition with innovation. As lights illuminate the stage and dancers take their mark, the theatre stands ready to nurture the next generation of talent while inviting audiences—both near and far—into the transformative world of ballet.

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Ghirardelli Melts Hearts at Comic-Con with Hot Fudge Sundae Surprise

In a delightful twist to this year’s Comic-Con buzz, Ghirardelli introduces a limited-time offer that blends sweetness with celebration. On Friday, July 25, in honor of National Hot Fudge Sundae Day, the iconic chocolatier will serve its Mini World Famous Hot Fudge Sundae at just $7.25. This charming offer is available only for a day at participating locations, including its Gaslamp flagship at 643 Fifth Ave. With doors open 11 a.m. to 1 a.m., fans and visitors are cordially invited to relish this short-lived indulgence before it quietly disappears.

STORY HIGHLIGHTS

  • Special Deal: Mini World Famous Hot Fudge Sundae for $7.25

  • Date: Valid only on Friday, July 25

  • Location: All participating Ghirardelli stores, including 643 Fifth Ave, San Diego (Gaslamp)

  • Store Hours: Open 11 a.m. to 1 a.m. Friday

  • How to Redeem: Ask for the National Hot Fudge Sundae Day offer — no code or coupon needed

  • Offer Valid On: Mini World Famous Hot Fudge Sundae only

As San Diego’s Comic-Con continues to draw thousands of fans into its vibrant swirl of cosplay, collectibles, and pop culture, there’s more than just superheroes and sci-fi in the spotlight this week. Just a few blocks from the convention floor, Ghirardelli’s flagship shop at 643 Fifth Avenue is preparing its own kind of celebration — one that promises to keep both locals and visitors deliciously cool.

Timed perfectly with the bustling energy of Comic-Con and the arrival of National Hot Fudge Sundae Day, Ghirardelli is offering a limited-time treat for the chocolate-loving crowd. For one day only — Friday, July 25 — customers can enjoy the Mini World Famous Hot Fudge Sundae for just $7.25 at any participating location.

“This is our way of sharing a little joy with everyone — especially those braving the crowds and costumes of Comic-Con,” said a Ghirardelli representative. “It’s a small indulgence, but it’s one that brings a lot of smiles.”

While the offer might be modest in size, the timing is anything but accidental. With the Gaslamp Quarter brimming with fans from all over the world, Ghirardelli’s sundae promotion arrives as a welcome break from the high-energy chaos of the convention.

The promotion is straightforward. No need for printed coupons or online codes. Visitors simply walk into the shop on July 25 and ask for the National Hot Fudge Sundae Day offer. The discount applies specifically to the Mini World Famous Hot Fudge Sundae, a signature dish built with layers of Ghirardelli’s rich fudge, creamy vanilla ice cream, whipped topping, and that iconic cherry on top.

“We see people from every corner of the country come in during Comic-Con week,” the store manager added. “They’re tired, excited, and usually overheated. This gives them a reason to pause, cool off, and taste something classic.”

And for those worried about time? Ghirardelli has it covered. The Gaslamp location will remain open from 11 a.m. until 1 a.m. on Friday, giving even the busiest attendees ample opportunity to indulge.

There’s no catch, no trick — just a sweet offer, good for one day only. But as with all good things, the window to claim this sundae special is short. Once Friday ends, so does the $7.25 deal.

As the excitement of San Diego Comic-Con continues to captivate thousands, Ghirardelli’s limited-time hot fudge sundae offer adds a flavorful highlight to the festivities. Blending tradition with celebration, this indulgent treat offers fans a moment of sweetness amid the convention rush. With only one day to enjoy the exclusive deal, Friday presents the perfect chance to savor a timeless dessert in the heart of the Gaslamp Quarter. Whether for locals or visitors, it’s a fleeting delight worth pausing for — before it melts away into memory.

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TikTok in the Balance: Trump’s China Gamble Returns

In a renewed twist of digital diplomacy, U.S. President Donald Trump has hinted at the revival of a near-final deal concerning the sale of TikTok’s American operations. Speaking aboard Air Force One, Trump revealed upcoming talks with China—potentially involving President Xi Jinping—aimed at resolving the legal and political standoff. As the September 17 deadline looms, the fate of the Chinese-owned short-video platform hangs delicately on cross-border negotiations, investor interests, and geopolitical mood swings. A group of unnamed wealthy U.S. buyers stands ready, awaiting China’s critical approval.

STORY HIGHLIGHTS

  • Trump says the U.S. “pretty much” has a TikTok deal

  • Talks with China could begin as early as Monday or Tuesday

  • TikTok ban deadline now extended to September 17

  • ByteDance must meet U.S. legal requirements for sale

  • A wealthy group of U.S. buyers reportedly lined up

  • China’s approval remains a pivotal step

In a development that could reshape the future of one of the world’s most influential social media platforms, U.S. President Donald Trump has indicated that negotiations over a potential TikTok deal with China may resume this week. While speaking to reporters aboard Air Force One en route to Trump National Golf Club in Bedminster, New Jersey, on Independence Day, Trump suggested that a framework for a deal was already in place, though key details remain unresolved.

The President noted that a conversation with Chinese President Xi Jinping—or one of his representatives—may be on the horizon. Discussions are expected to focus on the fate of TikTok’s U.S. operations, which have been under scrutiny over national security concerns tied to its Chinese parent company, ByteDance.

“We Pretty Much Have a Deal”

“We’re gonna start Monday or Tuesday… talking to China, perhaps President Xi or one of his representatives,” Trump told reporters. “But we would, we pretty much have a deal.”

This statement hints at a rekindling of previously stalled negotiations, which had hit a standstill earlier this year after China resisted efforts to separate TikTok’s U.S. business from its Chinese parent.

Delayed But Not Dismissed

Originally, the Trump administration pursued a plan to spin off TikTok’s U.S. operations into a new company that would be majority-owned and operated by American investors. The goal was to address ongoing concerns over data privacy and Chinese influence. However, the effort lost momentum after the announcement of new U.S. tariffs on Chinese imports, prompting strong objections from Beijing.

Though the deal appeared dormant for a time, the recent remarks by Trump suggest it may be revived under renewed diplomatic engagement.

Trump Speaks on Chinese Cooperation

When asked about the likelihood of China agreeing to the deal, Trump offered a measured but hopeful tone.

“I’m not confident,” he admitted. “But I think so. President Xi and I have a great relationship, and I think it’s good for them. I think the deal is good for China and it’s good for us.”

His comments reflect both uncertainty and optimism, signaling the complex balance of business, diplomacy, and tech policy in the ongoing U.S.-China relationship.

The Ban That’s Still on the Table

Last month, the White House extended the deadline for ByteDance to divest its U.S. TikTok operations. Originally set to take effect sooner, the TikTok ban was postponed through a third executive order signed by Trump on June 19. The latest extension grants the company until September 17 to reach a resolution that satisfies American legal and security frameworks.

This timeline continues to keep the fate of the app—and its millions of U.S. users—in uncertain territory.

Who Will Buy TikTok?

In a separate interview aired in June on Fox News’ Sunday Morning Futures with Maria Bartiromo, Trump provided another key update—one that raised both intrigue and speculation.

“We have a buyer for TikTok, by the way,” he said. “I think I’ll need probably China’s approval. I think President Xi will probably do it.”

While the president did not name the potential buyers, he described them simply as “a group of very wealthy people,” suggesting that negotiations are occurring at a high level of private investment and corporate interest.

Crossroads for a Global App

TikTok, known for its short-form videos and massive youth audience, has become one of the most downloaded apps in the U.S. Its ownership by a Chinese company has drawn bipartisan scrutiny over fears that user data could be accessed by the Chinese government. ByteDance has repeatedly denied such claims, but calls for its divestment in the U.S. have only grown louder.

The unfolding deal could reshape the platform’s identity and future in the U.S. market—if it goes through at all.

As the deadline inches closer and diplomatic engagement resumes, all eyes are on Washington and Beijing. The outcome could serve as a test of not only tech policy but also the broader geopolitical relationship between the two world powers.

As the deadline approaches, the unfolding TikTok saga reveals more than a corporate transaction—it underscores a tense intersection of technology, politics, and global power play. While President Trump signals optimism and a potential deal on the horizon, much remains uncertain until China formally responds. With legal requirements tightening and strategic interests deepening, the fate of TikTok’s U.S. operations stands at a critical juncture. Whether this deal materializes or dissolves will not only shape TikTok’s future in America but also echo in the broader narrative of U.S.-China digital diplomacy.

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Cierra Ortega Crashes Out of Love Island as Gen Z Faces Digital Reckoning

The newest season of Love Island USA has plunged into unforeseen turbulence as Gen Z contestants face abrupt exits over resurfaced racial slur controversies. Cierra Ortega and Yulissa Escobar, both young influencers, departed the villa following the online revival of past offensive remarks. With digital footprints turning into live scandals, the reality show now grapples with the growing impact of social media scrutiny, public accountability, and cultural sensitivity. As audiences question the line between fame and fallout, the season unfolds not as a love story—but as a digital reckoning in real-time.

STORY HIGHLIGHTS

  • Cierra Ortega, 25, left “Love Island USA” after older social media posts surfaced showing the use of an anti-Asian racial slur.

  • Yulissa Escobar was removed earlier in the season over a resurfaced podcast clip where she used similar language.

  • Both cases expose the long shadow of Gen Z’s digital past in an era of growing social accountability.

  • Viewers and experts are calling attention to anti-Asian hate, reality TV ethics, and the psychological weight of online backlash.

  • Critics urge producers to consider casting non-influencer “regular” contestants in future seasons.

In a season meant to be about summer romance, villa drama, and social experiments in love, “Love Island USA” Season 7 has taken a sharp detour into the darker corners of internet history. Two contestants—both members of Gen Z and both tied to influencer culture—have exited the show under intense scrutiny after past social media posts involving racial slurs resurfaced. What was once a guilty pleasure reality show is now at the center of a broader cultural reckoning.

When Romance Meets Reckoning

It was supposed to be about love. But just days into the new season, the tone shifted sharply as past content from contestant Cierra Ortega, a 25-year-old digital creator, made its way into the spotlight. In an Instagram post dating back to 2015, Ortega used a racial slur that references the eyes of Asian people—a term rooted in deep historical prejudice. Another image, alleged to be from as recently as 2023, appeared to show similar language. As the outrage swelled online, Ortega exited the show, citing personal reasons.

Shortly before Ortega’s departure, fellow contestant Yulissa Escobar had already been removed from the villa. Escobar’s exit came after resurfaced podcast footage revealed her using a racial slur. The similarities between the two situations have prompted intense public discussion not only about accountability, but also about the specific vulnerabilities of Gen Z’s digital presence.

Old Posts, New Consequences

In the past, reality TV participants may have had the privilege of privacy—or at least a less connected audience. That is no longer the case. With the rise of TikTok, Reddit, and fan-driven sleuth accounts, past social media content is uncovered and dissected with clinical precision. Audiences are more informed, more vocal, and more ready to act.

These aren’t just casual viewers anymore. Many invest deeply in the characters presented to them on-screen. As media psychologist Pamela Rutledge notes, “It’s much easier for people who watch it regularly to connect with these characters and start to invest in them.”

The intimacy created by the “unfiltered” format of reality television can backfire when offensive behavior comes to light. “Audiences feel betrayed,” says communication professor Elizabeth Perse, explaining that parasocial relationships—emotional bonds formed with public figures—intensify the backlash when contestants fall short of public expectations.

Beyond the Villa: The Weight of Digital Surveillance

Ortega and Escobar’s exits also mark a critical turning point for the show’s producers. For years, they’ve controlled how each contestant is portrayed, selectively editing scenes to tell the story they want viewers to see. But in the digital age, that control has eroded. When controversy emerges, online platforms like TikTok and X (formerly Twitter) take over the narrative, and the drama becomes both decentralized and amplified.

Viewers are no longer passive. The power of the algorithm allows individual voices, outrage, and evidence to gain massive traction. The producers’ inability to contain such narratives is glaring, as social media creates a parallel storyline that impacts both the contestants and the show’s reputation.

A Moment for Reflection on Anti-Asian Hate

While the drama may have started inside a luxury villa, the broader impact of the controversy has spilled out into important social conversations—especially surrounding anti-Asian hate.

“Anytime you say these horrible things like Cierra did on her Instagram story, it really does hurt,” said one Asian American content creator on TikTok, joining a wave of educators, influencers, and everyday users trying to use the moment to inform.

Another user commented in a video that now has over 8 million views: “Cierra from ‘Love Island’ got Botox to make her eyes look less like my eyes. Imagine being in a world where you don’t see people with your eye shape in media, and instead, you see people getting surgery to erase it.”

Even inside the “Love Island” circle, responses were pointed. Bella-A Walker, an Asian American contestant who was previously dumped from the villa, publicly unfollowed Ortega and praised producers for their handling of the situation.

“Asian hate is oftentimes overlooked and dismissed,” Walker wrote in an Instagram story. “Being a first-generation American, I’ve personally witnessed and experienced how real and hurtful comments like these are. I hope this situation sheds light on how big of an issue anti-Asian hate really is.”

Mental Health vs. Mob Mentality

While many applauded the accountability, others raised concern about the human cost of cancel culture. Escobar herself posted a TikTok on July 7, expressing deep worry for Ortega’s mental health, recalling her own experience with backlash.

“Looking at those messages I was getting, I was honestly scared to come home,” Escobar said. “I was like, is something going to happen to me? It was just a lot to take in, and even my family was worried.”

On July 6, Ortega’s family addressed the matter on her Instagram story, requesting space and urging the public to allow her to take responsibility without facing harassment. “The attacks on her family, her friends, even her supporters have been heartbreaking and uncalled for,” they wrote.

What Comes Next? A Call for Change

The fallout from Ortega’s and Escobar’s exits leaves the show—and the reality TV industry at large—at a crossroads. Many fans are now calling for a shift in casting. The influencer-heavy approach that fills villas with social media-savvy contestants may be more trouble than it’s worth.

Casting contestants with less curated, less controversial digital pasts—perhaps those not already online personalities—could be a step toward preserving the core values of the show: connection, growth, and real-life drama, not digitally induced scandals.

In a world where digital footprints follow you everywhere, “Love Island USA” Season 7 may be remembered not for its romantic twists, but for its cautionary tale on the permanence of what we post—and how far the ripples can travel.

As Love Island USA navigates a season riddled with controversy, the sudden departures of Cierra Ortega and Yulissa Escobar illuminate the growing weight of digital accountability in modern fame. With Gen Z contestants under relentless online scrutiny, the boundary between entertainment and ethics becomes increasingly fragile. In a culture where past words echo louder than present apologies, reality TV can no longer escape the influence of real-time public judgment. Whether this signals a cultural shift or a casting crisis, one truth remains—digital history never forgets, even when the cameras do.

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Superman Reboot Gets Political as Director James Gunn Targets Morality and Kindness

In a surprising twist to the superhero genre, Superman is set to return not just with capes and courage, but with politics and powerful questions. Director James Gunn has unveiled that the upcoming film will explore Superman as more than a savior — portraying him as an immigrant symbolizing the soul of America. With David Corenswet as the new Clark Kent and Rachel Brosnahan as Lois Lane, this reboot promises not just action, but a moral tug-of-war rooted in kindness, division, and a world struggling to hold on to hope.

🔹 STORY HIGHLIGHTS

  • James Gunn frames Superman as a story of immigration and lost kindness

  • Movie will explore both political and moral conflicts

  • Release date set for July 11, 2025

  • David Corenswet to play Superman, Rachel Brosnahan as Lois Lane

  • Film marks a reboot and start of a new DC universe

  • Superman’s values to be tested in a more divided modern world

The caped symbol of hope is set to soar again — but this time, into more complex skies. Director James Gunn, the visionary behind DC’s upcoming Superman film, has revealed that the story will tread deeply into political and moral territories, reshaping how audiences may see the Man of Steel in a world that is, arguably, more divided than ever.

In an exclusive conversation with The Sunday Times, Gunn didn’t shy away from the bold direction he’s taking with the superhero’s legacy. For him, Superman’s journey is more than just about flight, strength, and saving the day — it’s about what he represents at a cultural and human level.

“Superman is the story of America,” said Gunn.
“An immigrant that came from other places and populated the country.”

The director’s words reflect a broader metaphor — one rooted in the immigrant experience, foundational to America’s identity. Originally created in 1938 by Jerry Siegel and Joe Shuster, Superman has long been seen as a figure born out of hope, courage, and moral clarity. In Gunn’s version, those values are being re-examined through the lens of present-day realities — where kindness, morality, and division often clash in public discourse.

“But for me,” Gunn continued,
“It is mostly a story that says basic human kindness is a value and is something we have lost.”

The film, set to be released on July 11, 2025, marks a reboot of Zack Snyder’s Man of Steel (2013), which introduced a darker version of the Kryptonian hero. This new installment not only restarts Superman’s story but also acts as the launching point for a reimagined DC cinematic universe.

David Corenswet steps into the blue suit as Superman, bringing a fresh face to the legendary role. Rachel Brosnahan, best known for The Marvelous Mrs. Maisel, will take on the role of the sharp, fearless journalist Lois Lane. Their dynamic, as Gunn hints, will serve as a powerful counterpoint in the film’s core thematic tension.

When asked whether he considered how the film’s themes might resonate differently across various regions of the country — especially between progressive urban areas like New York (the real-world inspiration for Metropolis) and the more conservative, rural settings like Superman’s fictional hometown in Kansas — Gunn admitted the disparity is real and intentional.

“Yes, it plays differently,” he said.

“It’s about human kindness. And obviously, there will be jerks out there who are just not kind and will take it as offensive just because it is about kindness. But screw them.”

This raw response reveals Gunn’s commitment to telling a story that doesn’t shy away from uncomfortable truths. While superhero films often aim for universal appeal, Superman appears to be leaning into the cracks that make that universality so fragile.

For Gunn, the political layers are only one aspect of a much larger moral exploration. At its heart, the film revolves around choices — and the consequences of those choices — especially when moral codes conflict.

“Yes, it’s about politics,” he admitted.
“But on another level, it’s about morality.”

The core dilemma, he explained, is framed through the differing beliefs of Superman and Lois. One represents an unwavering moral stance; the other, a more pragmatic worldview.

“Do you never kill no matter what — which is what Superman believes — or do you have some balance, as Lois believes?” Gunn explained.
“It’s really about their relationship and how differing moral perspectives can pull two people apart.”

This exploration of ethics over action, and conversation over conflict, sets a new tone for Superman’s role in pop culture. In a cinematic landscape often driven by spectacle, Gunn’s approach suggests that this Superman may leave viewers reflecting on more than just explosions and flying punches.

As fans await the film’s release, one thing is clear: the Man of Steel is returning — but this time, with questions as heavy as the world he once effortlessly carried.

As James Gunn reshapes the Superman legacy, the upcoming reboot stands as more than just another chapter in a superhero saga — it becomes a cinematic reflection of modern society’s moral and political fractures. By intertwining themes of immigration, kindness, and conflicting values, the film dares to ask difficult questions through the lens of an iconic figure. Whether embraced or criticized, this new take on Superman is poised to challenge, provoke, and perhaps even inspire — reminding audiences that even the strongest heroes grapple with the weight of the world.

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Why Wet Hair at Bedtime Could Be a Nightmare for Your Scalp and Skin

Sleeping with wet hair may appear harmless, but experts now link this common habit to hidden threats affecting both scalp and skin health. When hair remains damp overnight, it becomes fragile and more prone to breakage, while the warm, moist environment it creates can invite bacterial buildup and fungal growth. Hair specialists and dermatologists alike warn that such conditions may trigger dandruff, irritation, and even acne flare-ups. Though not dangerous, the silent damage caused by this overlooked routine may leave lasting marks—on your strands, your scalp, and your skin.

🔍 STORY HIGHLIGHTS

  • Wet hair weakens hydrogen bonds, making strands fragile and breakable

  • Friction from pillows can worsen damage and lead to hair fall

  • Damp scalp conditions may trigger dandruff and fungal infections

  • Pillow moisture promotes bacterial growth, acne, and eczema

  • Folliculitis, fungal acne, and irritated skin are possible outcomes

  • Experts recommend partial drying, leave-in conditioner, and braiding

It’s a habit many are guilty of — stepping out of the shower and slipping straight into bed with damp strands. After a long day, blow-drying may seem like too much effort. But skin and hair experts warn that the consequences of this nightly shortcut may go far beyond just a few tangles or bedhead in the morning. From scalp irritation to skin infections, sleeping with wet hair could be doing silent damage — and your pillowcase may be playing a bigger role than you think.

Why Wet Hair at Bedtime Spells Trouble for Your Scalp and Strands

“Sleeping with wet hair is never something I recommend to my clients,” said Briana Delvecchio, hairstylist at Ashley Lauren Beauty Lounge in New York. Delvecchio shared that when hair remains wet, the hydrogen bonds within the hair shaft are temporarily broken — leaving the strands more elastic, fragile, and susceptible to damage.

“Hair in this condition is not as strong as it normally would be,” she said. “It’s especially vulnerable to stretching, pulling, and breaking — and that’s even before it rubs against your pillow.”

This seemingly minor act of going to bed with damp hair can create a chain reaction of issues. Delvecchio warned that the friction between fragile hair and the pillowcase while tossing and turning through the night can lead to long-term damage like split ends, excessive shedding, and stubborn tangles.

The Scalp Is Not Spared

But it’s not just your hair paying the price. According to Dr. Noah Gratch, M.D., a board-certified dermatologist based in New York, the scalp also faces a hidden threat when left wet for long hours, especially in a confined space like a pillow.

“A constantly damp scalp creates a warm, moist environment that encourages the overgrowth of Malassezia,” Dr. Gratch explained. “This is a yeast that naturally lives on the scalp but can multiply rapidly under these conditions.”

The result? Scalp issues such as seborrheic dermatitis, which presents as flaking, inflammation, and itchiness, or dandruff that keeps coming back no matter how many treatments you try.

Pillowcases: The Hidden Villain

Another lesser-known concern lies beneath the head — the pillow itself. Moisture from wet hair often transfers directly to the pillowcase, creating a fertile ground for unwanted organisms to thrive.

“That dampness can become a breeding ground for bacteria, fungi, and dust mites,” Dr. Gratch warned. He added that this prolonged contact with moisture can irritate the skin, particularly for those with sensitive skin types or existing skin conditions.

It’s not uncommon, he noted, for patients to experience flare-ups of fungal acne, eczema, or even folliculitis — a condition that causes red bumps, irritation, or inflammation in hair follicles.

“Greasy Roots by Morning” — A Common Complaint

Delvecchio emphasized that many people wake up feeling their hair roots are greasy or heavy — a result of that humid scalp environment created by wet hair pressed against the pillow overnight.

“It’s not just a matter of appearance,” she said. “That oiliness is often a sign of an imbalance in the scalp’s microbiome, which can take time to correct once disrupted.”

What Can Be Done Instead?

The good news, experts say, is that you don’t have to sacrifice comfort or sleep to keep your scalp and skin healthy. A few adjustments to your nighttime hair routine can make a world of difference.

Delvecchio suggests starting with towel-drying your hair thoroughly before bedtime. Following that, applying a leave-in conditioner can offer added protection. If you’re not keen on using heat, loosely braiding the hair once it’s mostly dry can prevent tangling and reduce damage caused by friction.

“It’s a simple routine swap,” she said, “but it goes a long way in maintaining healthy strands, a balanced scalp, and even clearer skin.”

Final Word from the Experts

While the occasional night of falling asleep with wet hair may not result in immediate harm, both Delvecchio and Dr. Gratch agree it’s best avoided as a regular practice.

“It’s not dangerous in a life-threatening sense,” Dr. Gratch clarified. “But the dermatologic and hair health concerns are real and often overlooked.”

For many, these warnings serve as a reminder that hair and skin health are closely linked to daily habits — even the ones we practice while asleep.

So next time you reach for that pillow with damp hair, you might want to think twice — your scalp, your skin, and your strands will thank you.

While sleeping with wet hair may seem like a harmless shortcut, both hair and skin experts caution against it due to the silent but significant risks involved. From weakened hair strands and breakage to scalp infections and skin flare-ups, the consequences of this nightly habit extend beyond mere appearance. Though not immediately dangerous, the cumulative effects can compromise your overall scalp and skin health. A few extra minutes of drying or simple nighttime care can protect against long-term damage — making it a small effort with lasting benefits.

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From the Ring to ICE Custody: Chavez Jr. Accused of Cartel Ties

In a dramatic twist blending sports fame with deep legal peril, Mexican boxer Julio Cesar Chavez Jr.—son of the legendary ring icon—has been arrested in Los Angeles over serious immigration violations and alleged cartel ties. U.S. authorities accuse the former champion of overstaying his visa, lying on a green card application, and maintaining links to the Sinaloa Cartel, one of Mexico’s most feared syndicates. With an active arrest warrant in Mexico and extradition talks underway, Chavez’s fall from the ring to the courtroom is swift, sensational, and far from over.

🔴 STORY HIGHLIGHTS:

  • Who: Julio Cesar Chavez Jr., 39, Mexican professional boxer and son of boxing legend

  • What: Arrested by U.S. ICE in Los Angeles for immigration violations and alleged cartel ties

  • When: Taken into custody on July 2, 2025

  • Why: Accused of overstaying visa, lying on green card application, cartel association

  • Where: Studio City, Los Angeles, California

  • Legal Complications: Active arrest warrant in Mexico, past U.S. convictions, extradition initiated

  • Background: Married to U.S. citizen allegedly tied to Sinaloa Cartel

  • Official Quote: DHS: “No one is above the law — including world-famous athletes.”

Julio Cesar Chavez Jr., the son of legendary Mexican boxer Julio Cesar Chavez Sr., finds himself at the center of a serious legal storm. The 39-year-old boxer was arrested earlier this week by Immigration and Customs Enforcement (ICE) officers in the Studio City area of Los Angeles, according to a statement released by the Department of Homeland Security (DHS) on Thursday.

The arrest stems from a series of allegations linking Chavez Jr. to organized crime, specifically the notorious Sinaloa Cartel. DHS officials say Chavez, who had entered the United States legally on a temporary visa last year, overstayed his permitted time in the country and attempted to obtain permanent residency through what the agency describes as a “fraudulent application.”

According to federal authorities, Chavez arrived in the U.S. in August 2023 on a B2 tourist visa, which remained valid until February 2024. However, rather than leaving the country upon its expiration, Chavez filed for lawful permanent residency in April 2024, citing marriage to a U.S. citizen as the basis for his application.

But DHS claims that the application raised several red flags. Officials allege Chavez made “multiple fraudulent statements” in the process. Notably, the U.S. citizen he married is reportedly connected to the Sinaloa Cartel through a previous relationship with the deceased son of Joaquín “El Chapo” Guzmán, the infamous cartel leader currently serving a life sentence in the U.S.

In a public statement, DHS said:
“Chavez’s application was based on his marriage to a U.S. citizen, who is connected to the Sinaloa Cartel through a prior relationship with the now-deceased son of the infamous cartel leader Joaquin ‘El Chapo’ Guzman.”

Chavez’s name has also been flagged internationally. Mexico’s Attorney General’s Office confirmed that Chavez has an active arrest warrant in Mexico, issued in March 2023. The warrant accuses him of involvement in organized crime and trafficking firearms, ammunition, and explosives. DHS officials added that a U.S. judge in California also issued a related arrest warrant in January 2023.

The DHS press release elaborated further:
“Chavez is also believed to be an affiliate of the Sinaloa Cartel,” the agency said. “He has an active arrest warrant in Mexico for his involvement in organized crime and trafficking firearms, ammunition, and explosives.”

In addition to these international concerns, Chavez also faces prior legal issues within the United States. DHS records show he was convicted in California in 2012 for driving under the influence of alcohol. More recently, in 2024, he faced convictions related to the illegal possession of an assault weapon and the manufacture or import of a short-barreled rifle.

Despite being flagged by U.S. Citizenship and Immigration Services (USCIS) as a public safety threat in December 2024, Chavez’s removal had not been prioritized until recently. However, according to DHS, he was officially found to be removable from the U.S. on June 27, 2025.

In a strongly worded message, DHS Assistant Secretary Tricia McLaughlin underscored the administration’s stance on crime and immigration enforcement:
“Under President Trump, no one is above the law — including world-famous athletes,” she said. “Our message to any cartel affiliates in the U.S. is clear: We will find you and you will face consequences. The days of unchecked cartel violence are over.”

Chavez’s arrest came just days after his high-profile boxing loss to social media influencer Jake Paul in Anaheim, California. The timing has raised eyebrows, with many questioning whether the fight’s visibility contributed to the urgency of the arrest. Still, DHS insists the case has been building for months, and his presence in the country had become “untenable” from a public safety standpoint.

The DHS has since initiated expedited removal proceedings and confirmed that extradition discussions are underway with Mexican authorities. According to officials, Chavez’s past criminal record, current charges, and alleged cartel ties place him in a category of individuals who pose a significant security threat.

Mexico’s Attorney General’s Office, in its own statement, reaffirmed that Chavez is being pursued under serious charges involving weapons trafficking and illegal manufacture of arms and ammunition.

As the legal process unfolds, Chavez remains in federal custody. His future, both in the ring and as a resident in the United States, hangs in the balance.

Julio Cesar Chavez Jr.’s arrest marks a sharp and stunning fall from boxing fame into the harsh glare of federal scrutiny. With allegations linking him to one of the world’s most dangerous cartels and a trail of legal violations now surfacing, the once-celebrated athlete faces a future dominated not by championship belts but by courtroom battles and international extradition. As investigations continue and legal proceedings unfold, his case stands as a stark reminder that even the brightest names in sports are not immune to the reach of justice.

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Glen Powell Breaks Free in Edgar Wright’s Explosive Take on The Running Man

In a world obsessed with spectacle, The Running Man returns — this time sharper, darker, and dangerously thrilling. With Glen Powell stepping into the spotlight, Running Man 2025 brings back the deadly game where survival is sold as entertainment. Directed by Edgar Wright and backed by Paramount Pictures, the film dives into a twisted future where life, death, and ratings collide. With a chilling plot, gripping cast, and bold storytelling, this new version dares to question how far we’ll go for a show — and who pays the price.

STORY HIGHLIGHTS

  • The Running Man 2025 stars Glen Powell as Ben Richards, a contestant fighting to survive in a dystopian game show.

  • Directed by Edgar Wright, known for stylized thrillers.

  • Josh Brolin plays the ruthless producer Dan Killian.

  • Based on the original Stephen King novel and reimagined from the 1987 film.

  • Set for theatrical release on November 7 by Paramount Pictures.

  • Supporting cast includes Colman Domingo, Katy O’Brian, Lee Pace, and Michael Cera.

  • Script by Wright and Michael Bacall (Scott Pilgrim vs. The World).

In a time when reboots and remakes dominate studio slates, director Edgar Wright is taking a bold leap with The Running Man, a reimagining of the dystopian thriller based on Stephen King’s 1982 novel. Slated for release on November 7 by Paramount Pictures, this fresh take — Running Man 2025 — reintroduces audiences to a future where entertainment and violence blur beyond recognition. Leading the charge is actor Glen Powell, continuing his rise as a major Hollywood presence following notable turns in Hit Man, Anyone but You, and Twisters.

A Deadly Game Revisited

Originally brought to the big screen in 1987 with Arnold Schwarzenegger in the lead, The Running Man returns with a sharper focus on the terrifying relevance of surveillance culture and mass media obsession. In this updated version, society has turned brutality into primetime content. “Runners,” or chosen participants, must evade execution for 30 consecutive days. As they dodge assassins, their every move is broadcast live, feeding the public’s insatiable hunger for spectacle.

At the heart of the chaos is Ben Richards, played by Glen Powell, a desperate father from the working class. His motivation is not fame or fortune, but the health of his gravely ill daughter. It’s that urgency which convinces him to participate in the televised death game, orchestrated by a charming but cutthroat producer named Dan Killian, portrayed by Josh Brolin.

“He’s Not Just Running—He’s Fighting the System”

The film’s official synopsis describes Ben’s journey as one of unexpected defiance. As Richards runs for his life, his resilience, instincts, and refusal to break make him more than a contestant. He becomes a symbol. Viewers rally behind him, ratings soar, and what started as one man’s survival becomes a national spectacle.

But fame comes at a cost. The greater his popularity, the greater the danger. Hunters close in, and the stakes rise from mere survival to revolution.

Edgar Wright at the Helm

Edgar Wright, acclaimed for his stylized storytelling in Last Night in Soho and Baby Driver, returns to the director’s chair to helm Running Man 2025. His dynamic vision, combined with thematic depth, brings new energy to the material. Known for his rhythmic pacing and sharp visual language, Wright promises a version of The Running Man that feels both classic and contemporary.

Wright also co-wrote the screenplay alongside Michael Bacall, whose previous credits include the genre-bending Scott Pilgrim vs. The World, the comedic 21 Jump Street, and the wild party drama Project X. Their collaboration suggests a tone that will blend edge, emotion, and electric action.

A Cast That Packs a Punch

Alongside Glen Powell and Josh Brolin, the ensemble cast of Running Man 2025 features names that promise strong performances:

  • Colman Domingo (Sing Sing) takes on the role of the slick and theatrical game show host, Bobby Thompson.

  • Katy O’Brian (Love Lies Bleeding) appears as a fellow contestant, caught in the same brutal game.

  • Lee Pace (Guardians of the Galaxy) plays Evan McCone, a relentless hunter tasked with tracking Ben.

  • Michael Cera plays Bradley, a mysterious rebel figure who lends unexpected aid to Richards.

Together, this cast represents a wide spectrum of perspectives inside the deadly world of The Running Man — from those controlling the game to those determined to escape it.

The Legacy of “The Running Man”

This modern take comes more than three decades after the 1987 cult film adaptation. While the original leaned heavily into action and spectacle, Running Man 2025 seeks to deepen the emotional and societal resonance of the story. Stephen King’s novel, written under the pseudonym Richard Bachman, has always held a grim mirror to the dangers of entertainment-driven politics and public desensitization. Wright’s version appears poised to double down on those themes for today’s audience.

As Running Man 2025 prepares to hit theaters, it brings with it questions about power, control, and the price of mass entertainment. For Glen Powell, it’s a career-defining role. For audiences, it’s a chilling reminder that sometimes the most dangerous games are the ones we choose to watch.

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Willie Nelson’s July Fourth Picnic Returns to Austin with Fireworks and Legends

Willie Nelson’s Fourth of July Picnic returns to Austin in 2025 with a dazzling blend of tradition, star power, and celebration. Set against the vibrant backdrop of Germania Insurance Amphitheater, this iconic event promises a day of live music, festive delights, and fireworks. With a headline act featuring Willie Nelson & Family, alongside Bob Dylan and others, the lineup is curated to charm both loyal fans and curious newcomers. From parking to performance, every detail is designed to stir excitement and mark Independence Day with unforgettable rhythm and sparkle.

STORY HIGHLIGHTS

  • Event: Willie Nelson’s Fourth of July Picnic & Fireworks

  • Date: July 4, 2025

  • Location: Germania Insurance Amphitheater, Austin, TX

  • Doors Open: 3 p.m. | Show Starts: 4 p.m.

  • Lineup: Willie Nelson & Family, Bob Dylan, The Avett Brothers, The Mavericks, Asleep At The Wheel, Tami Neilson

  • Parking: Free in Lots F & H; Paid upgrades in D & C with ADA access

  • Bag Policy: Small clutches and large clear bags only

  • Prohibited Items: Weapons, food, drink, fireworks, cameras, backpacks

  • Venue Policy: Entirely cashless – cards only

Austin is once again preparing to welcome an event deeply embedded in the cultural and musical identity of Texas—Willie Nelson’s Fourth of July Picnic. This legendary celebration, which first came to life in 1973, will return home on July 4, 2025, lighting up the Germania Insurance Amphitheater at Circuit of the Americas with music, fireworks, and thousands of fans ready to celebrate Independence Day with a Texas-sized soundtrack.

After traveling through several cities across the U.S. over the years, including stops in Tulsa, Syracuse, Atlanta, and even New Jersey last year, the Picnic is circling back to its roots. Though it doesn’t happen in Austin every single year, the city remains its spiritual and fan-favorite home—a place where Willie’s vision has always been embraced with open arms.

Star Power Under the Texas Sky

This year’s lineup is proof that Willie Nelson still knows how to throw a party that honors the past while celebrating the present. Willie Nelson & Family will close the show, as they always do, but not before the stage heats up with performances from Bob Dylan, The Avett Brothers, The Mavericks, Asleep At The Wheel, and Tami Neilson. The selection is a nod to Willie’s impeccable taste and long-standing ties to musicians who blend genres, push boundaries, and respect tradition.

Music begins at 4 p.m., but doors open at 3 p.m., giving fans plenty of time to soak in the atmosphere, sample food and drinks from local vendors, and find a perfect spot before the fireworks crown the night.

A Long Road Home for the Picnic

The origins of the Picnic go back to the 1972 Dripping Springs Reunion, a moment in country music history that inspired Willie to create a space where fans and artists could connect freely. The first official Picnic followed a year later at the same ranch in Dripping Springs and has since evolved into a symbol of musical independence and celebration.

Throughout the decades, the Picnic has hosted some of the biggest names in the business—Ray Price, Leon Russell, Billy Joe Shaver, and Johnny Bush, to name a few—while weaving in rising talents that mirror the evolution of Americana, country, and roots music. Despite its nomadic history, the spirit of the Picnic never wavered, and every time it returns to Texas, it feels like a family reunion.

Getting There: Parking, Transit, and Access

Attendees driving to the event will find standard parking in Lots F and H, which is included with admission. Those looking for a shorter walk to the gates can upgrade to Lot D or Lot C parking online, with ADA-accessible spaces available in all upgraded lots.

For fans arriving by shuttle, charter vehicle, or bus, a drop-off and pick-up zone is designated in the north cutout behind Lot C. Cyclists will find parking along the bridge near the Grand Plaza Box Office, just outside the main entrance. And if you’re using ride-share or taxi, Lot E is where you’ll need to go.

What You Can—and Can’t—Bring

Security at the Germania Insurance Amphitheater will enforce a strict bag and item policy. Only large storage bags, clear totes, and small clutch purses (4.5″ x 6.5″ x 2″) are permitted. Prohibited items include:

  • All backpacks, duffle bags, mesh bags, fanny packs, and reusable grocery totes

  • Weapons of any kind, even if you have a permit

  • Outside food or drink (except empty reusable bottles under 20oz)

  • Alcohol, illegal substances, or any drug-related paraphernalia

  • Recording equipment, drones, tripods, iPads, laptops, and tablets

  • Coolers, thermoses, signs on posts, and fireworks

Note on Payments: Credit Cards Only

Fans planning to grab food, merchandise, or parking upgrades on-site should be aware that the Germania Insurance Amphitheater is a fully cashless venue. Every point of sale—from concessions to the box office—only accepts credit or debit cards. No cash will be accepted.

As the fireworks light up the night sky this Independence Day, Austin will once again echo with the sounds of Willie Nelson’s guitar and the voices of thousands of fans. For those who’ve been there before, it’s a return to something cherished. For newcomers, it promises to be a memory they won’t forget.

As Austin prepares to welcome back Willie Nelson’s iconic Fourth of July Picnic, the stage is set for a day of timeless music, patriotic spirit, and unforgettable memories. With a lineup curated by Nelson himself and a carefully organized venue experience, the event blends tradition with festive energy. Whether you’re a longtime fan or a first-time attendee, this celebration promises more than just a concert—it offers a rare chance to witness a living legend unite music lovers under one sky. When the fireworks rise, so will the spirit of a truly American tradition.

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Brad Pitt’s F1 Drives Big at Box Office as M3GAN Sequel Misses the Mark

Apple Original Films’ F1, starring Brad Pitt, has raced into global cinemas with a commanding $144 million opening, marking a bold theatrical win for the tech giant. Backed by Warner Bros. and directed by Joseph Kosinski, this high-speed drama dazzles audiences with premium visuals and strong reviews. With Pitt leading as a retired racer and real-life F1 legend Lewis Hamilton producing, F1 emerges as a shining spectacle in Apple’s cinematic journey—ambitiously crafted, visually striking, and daringly timed to capture the pulse of summer box office crowds.

🏁 STORY HIGHLIGHTS

  • Global Opening Weekend: $144 million

  • North American Debut: $55.6 million

  • International Box Office: $88.4 million

  • Production Budget: Estimated $200M–$300M

  • Lead Cast: Brad Pitt, Damson Idris, Javier Bardem

  • Premium Screens Contribution: 58% of sales, $27.7M from IMAX alone

  • CinemaScore: A rating

  • Apple’s First Major Box Office Success

Apple Original Films has found its first box office breakthrough with F1, a high-speed racing drama starring Brad Pitt and directed by Joseph Kosinski of Top Gun: Maverick fame. The film roared into theaters with a strong $55.6 million opening in North America and an even more impressive $88.4 million internationally, combining for a global launch of $144 million. This marks the biggest worldwide opening of Pitt’s multi-decade career — not adjusted for inflation — and a significant pivot point for Apple’s theatrical ambitions.

A DIFFERENT KIND OF RACE FOR APPLE

For Apple, the journey to the big screen has been anything but smooth. Despite the company’s dominance in tech and streaming, its earlier cinematic ventures — notably Martin Scorsese’s Killers of the Flower Moon and Ridley Scott’s Napoleon — didn’t quite rev up audiences or the box office. But F1 appears to have shifted gears.

With Warner Bros. handling distribution and both studios sharing the marketing load, the film benefited from a promotional campaign that critics and analysts have described as among the most energetic and expansive of the summer. According to Comscore’s Paul Dergarabedian, “F1 overperformed thanks to a full-throttle marketing push, smart timing, and premium format appeal.”

STAR POWER MEETS SPEED

In F1, Brad Pitt plays a retired and injured former Formula One driver who returns to the sport, this time partnering with a rising talent portrayed by Damson Idris. Javier Bardem plays the flamboyant team owner who brings the duo together. The story blends personal redemption with high-stakes racing, offering a character-driven narrative wrapped in visually immersive speed sequences.

The film received strong audience feedback, boasting an “A” CinemaScore and near-perfect exit polls. Behind the scenes, the project assembled a powerful team: Formula One icon Lewis Hamilton came aboard as producer alongside Jerry Bruckheimer, Kosinski, and Pitt’s Plan B collaborators.

VISUAL HORSEPOWER DRIVES TICKET SALES

A major part of F1’s box office muscle came from its use of premium large-format (PLF) screens. Approximately 58% of total ticket sales were for formats like IMAX and Dolby Cinemas, with IMAX alone contributing $27.7 million, or 19.2% of the film’s total global take. This ranks as the fourth-largest percentage share for IMAX in its history.

The collaboration between IMAX, Kosinski, and Bruckheimer during the film’s production and post-production was key. From the roar of engines to cockpit close-ups, the format captured the essence of Formula One in ways traditional screens simply can’t.

A RISKY INVESTMENT

However, victory isn’t guaranteed. The movie’s net production cost was $200 million, with some estimates placing it closer to $300 million when factoring in marketing. That’s a tall order for any film, especially one centered on a sport that has only recently started to grow in popularity in the U.S.

Still, Apple operates with a business model unlike traditional studios. Box office numbers, while important, are part of a larger ecosystem — one where prestige, brand association, and streaming value play equally crucial roles.

A HARD BRAKE FOR M3GAN 2.0

While F1 accelerated, Blumhouse and Atomic Monster’s M3GAN 2.0 hit a speed bump. The horror sequel opened with just $10.2 million domestically, a disappointing showing against predictions and less than half the original’s $30.4 million debut in January 2023. Globally, the sequel scraped together $17.2 million, despite having a $25 million budget.

Although the film skewed 53% female, the turnout from younger women — the intended counterprogramming audience to F1 — was not strong enough. Some critics noted that M3GAN 2.0 strayed too far from horror into sci-fi territory, with a robotic menace that felt more “Terminator” than terrifying.

Despite a marginally improved B+ CinemaScore, interest was lukewarm. The original’s spark seems to have dimmed, perhaps due to genre fatigue or shifting tastes.

MIXED RESULTS FOR UNIVERSAL AND DISNEY

Elsewhere, Universal’s live-action How to Train Your Dragon fared better. Now in its third weekend, the family film crossed $200 million domestically and $454.4 million globally, holding onto second place at the box office with a $19.4 million weekend haul.

Pixar and Disney weren’t as fortunate. Their animated sci-fi adventure Elio took a nosedive, tumbling 49–50% in its second weekend to earn $10.7 million domestically. With a global total of $72.3 million and a reported $150 million budget, the numbers are far from encouraging.

Sony’s 28 Years Later also saw a significant drop in its second frame, adding $9.7 million for a domestic total of $50.3 million. While the film surpassed the $100 million global mark — something its indie predecessor 28 Days Later never achieved — its second-week fall suggests limited long-term momentum.

LILO & STITCH BRINGS THE SMILES

One of the weekend’s brighter stories came from Disney’s live-action Lilo & Stitch. The film quietly surged past $400 million domestically and an impressive $946 million worldwide, becoming the second Hollywood film of 2025 to reach such heights, behind A Minecraft Movie.

Premiering over Memorial Day weekend, Lilo & Stitch managed to hold its own even when facing Tom Cruise’sMission: Impossible – The Final Reckoning, which now stands at $562 million globally. The success of Lilo reflects the lasting popularity of Disney’s animated classics in live-action format.

THE SUMMER BOX OFFICE: A TALE OF HIGH RISKS AND FAST PAYOFFS

As June ends, the box office story is one of mixed fortunes. While F1 proved that original films, when paired with the right talent and marketing muscle, can still draw crowds, others — including sequels and big-brand animations — faltered despite familiarity and fan bases.

Apple’s F1 isn’t just a win for the company — it’s a signal that high-stakes, theatrical-first strategies can pay off, even in an uncertain landscape. But with a massive budget to recoup and a competitive July ahead, the movie still has a long road to travel.

As the summer box office unfolds, F1 has proven itself a bold and triumphant leap for Apple Original Films, blending star power, technical brilliance, and strategic marketing into a global spectacle. While Brad Pitt’s racing drama races ahead with momentum, the lackluster debut of M3GAN 2.0 highlights the unpredictability of sequels in a shifting cinematic landscape. This weekend serves as a sharp reminder that theatrical success now demands more than franchise familiarity—it thrives on precision, timing, and a spark that truly ignites the screen.

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